Poulomi Basu (born October 1983) is an Indian artist, documentary photographer and activist,[1] much of whose work addresses the normalisation of violence against marginalised women.[2][3][4][5]

Basu received the Royal Photographic Society's Hood Medal for the series Blood Speaks, about the Nepalese practice of Chhaupadi.[6] In 2017, Basu was selected for the Sundance New Frontiers Lab Fellowship.[7] Her photobook Centralia, about the conflict between the Indian state and the Maoist People's Liberation Guerrilla Army, was shortlisted for the 2021 Deutsche Börse Photography Foundation Prize.[8] Her Eruptions: a decade of creation installation was shown at Side Gallery, Newcastle, UK in 2021/22.[9] In 2023, she received the International Center of Photography Infinity Award for outstanding contribution to "Contemporary Photography and New Media".[10]

Art critic Charlotte Jansen wrote in Tate's publication, Fifty Pioneers Defining Photography for the Twenty-First Century, that Basu's work is "beautiful but also apocalyptic, her photographs and films pulsate with psychotropic light".[11]

Early life

Basu was born and raised in Kolkata, India. She has said "I grew up in a home with all kinds of taboos, and it was an extremely violent, patriarchal and misogynistic environment. I saw how these things were related and became interested in exploring the complex web of patriarchy."[12] She majored in sociology then did a Masters in Photojournalism and Documentary Photography at the London College of Communication.[13]

Work

Basu's work often addresses the normalisation of violence against marginalised women.[5] The BBC described Basu as a "visual activist known for her fearless examination of systemic injustices. Her lens focuses on stories that often go ignored or underreported, particularly those of women in isolated communities and conflict zones."[14]

Her To Conquer Her Land series depicts the first female soldiers in the Indian Army, on the India–Pakistan border.[15][16] In Basu's words, "To Conquer Her Land is about new forms of stress – related to combatant life – that has never existed for Indian women before in history." Her work deals with sensitive issues of self image and focuses on women who are striving to redefine their identity. Basu's work pivots around the "intricate issues of conflict, psychological warfare, class, youth, gender, love, peace, the concept of home, an undefined idea of patriotism, and the strength of the mind."[17] To Conquer Her Land is a fitting title as this work is dedicated to the women who are trying to claim their place not only in the military but also in the eyes of society where gender norms are still harsh towards women. Blood Speaks: A Ritual of Exile deals with the Nepalese practice of Chhaupadi, which "dictates that women who are menstruating, and those who experience bleeding after childbirth, must live in makeshift huts because they are considered impure and therefore untouchable. Exiled by their communities and families, the women are refused access to water and toilets and must eat food scraps, fed to them as though they were animals." Basu made the work in Surkhet District, in a remote region of Nepal, in 2013, 2014 and 2016. When exhibited, the work includes two screen projections, photographs shown in LED-powered light boxes, a surround-soundscape and an immersive virtual reality installation—"The room deliberately evokes the oppressive environment inhabited by the women".[18][12] Tate Modern curator, Emma Lewis, speaks of Basu's work saying that "Blood Speaks highlighted the grave consequences of normalized violence and how such taboos negatively impact sustainability goals relating to child marriage, attitudes to reproductive health, maternal mortality and school education. The project resulted in Basu collaborating with several charities, including WaterAid for their ‘To Be A Girl' campaign. In 2018, the Nepalese government passed a new law enforcing existing legislation around chhaupadi with a jail sentence and fine."[19]

Centralia focuses on the female guerrillas of the Naxalite–Maoist insurgency.[20] Sean O'Hagan wrote in The Guardian that the book "casts light on an overlooked conflict between the Indian state and the Maoist People's Liberation Guerrilla Army, which is made up of volunteers from a beleaguered indigenous community. Basu moves effortlessly between traditional documentary and a heightened, almost hallucinatory approach that reflects both the brutality of the conflict and the state propaganda that feeds on half-truths and manipulated "facts"."[8] Basu takes cues from "the literary work of William Faulkner, J G Ballard and Arundhati Roy, as well as the dream narratives of David Lynch" ... "in composing Centralia, which is set largely in the state of Chhattisgarh, as well as the states of Odisha, West Bengal and Jharkhand".[20] Her reason for taking inspiration from these notable figures, in her words, is because "they deal with the darkness that lies ahead." She reflects, "in a way, this project is a prism to explore contemporary India through my own connection to a historical and present series of events.[21]

Fireflies is a multi-layered body of work including photography, moving image, and performance. Fireflies covers many complex narratives around eco-feminism and gender justice, with grounded ideas of magical realism and science fiction. Alona Pardo, curator of The Barbican, introduces Basu's work: "Fireflies, consists of a series of deeply emotive and powerful images of Poulomi invariably performing for the camera".[22] The project consists of images that Basu intertwined with her mother, underscoring a matrilineal heritage and genealogy that speaks to the violence which is all too often bestowed on women's bodies, highlighting female oppression and the hetero-patriarchal cultural values that are also a shared trauma, and notions of care. Kenneth Dickerman wrote in The Washington Post that "Basu's work seeks to turn that paradigm on its head to begin to create a more equitable, favorable and stable world for all".[23] Shyama Laxman wrote in Aesthetica Magazine that "despite the hard-hitting subject matter, Fireflies is not unsettling, rather, mesmerising. Whilst bruises and blood are subtly weaved into the show, these pockets of brutality are offset by a pervading sense of hope that women will break the cycle of abuse and forge a better world for themselves".[24]

Other activities

Basu is a co-founder/director of Just Another Photo Festival, begun in 2015, which seeks to democratise access to visual media.[25]

She is a visiting lecturer at University of the Arts London's Visible Justice and collaborative Unit.[26]

Publications

Books of work by Basu

  • Centralia. Stockport: Dewi Lewis, 2020. ISBN 978-1-911306-57-3.[27][28]

Publications with contributions by Basu

  • Hungry Still. Quad/Format/Slideluck, 2014. ISBN 978-0955353888.
  • A Time To See. Queen Elizabeth Diamond Jubilee Trust/Impress, 2016. ISBN 978-0995554009.
  • Firecrackers: Female Photographers Now. London: Thames & Hudson, 2017. By Fiona Rogers and Max Houghton. ISBN 978-0500544747.
  • Photography Now: Fifty Pioneers Defining 21st Century Photography. Tate/Ilex, 2021. By Charlotte Jansen. ISBN 978-1781576205.
  • Photography – A Feminist History. Tate, 2021. By Emma Lewis. ISBN 978-1781578049.

Collections

  • Victoria and Albert Museum, London, Centralia.[29]
  • The Museum of Modern Art (MoMA), New York, Special Collections; Centralia book.[30]

Exhibitions

Film

Contemporary Art and Photography Awards

She has been selected as a Hundred Heroine which recognises significant female photographers.[4]

References

  1. ↑ "Five brilliant activists breaking the taboos around menstruation". www.amnesty.org. 28 May 2019. Retrieved 3 August 2021.
  2. ↑ "Centralia: Poulomi Basu". GUP Magazine. 13 May 2020. Retrieved 14 July 2021.
  3. ↑ "Aesthetica Magazine - Responsive Image Making". Aesthetica Magazine. Retrieved 14 July 2021.
  4. 1 2 "Poulomi Basu - Indian Photographer". hundredheroines.org. Retrieved 19 July 2021.
  5. 1 2 "The photographer exposing misogyny's insidious roots". Huck Magazine. 22 October 2016. Retrieved 19 July 2021.
  6. 1 2 "RPS Awards 2020". rps.org. 21 October 2020. Retrieved 14 July 2021.
  7. ↑ http://www.sundance.org/pdf/press-releases/2017-05-10-new-frontier-story-lab-news-release-final2.pdf
  8. 1 2 O'Hagan, Sean (10 November 2020). "This year's Deutsche Börse prize shortlist is fascinating – but is it photography?". The Guardian. Retrieved 14 July 2021.
  9. 1 2 "Eruptions: a decade of creation". Amber. Retrieved 30 October 2021.
  10. 1 2 "News". International Center of Photography. Retrieved 16 January 2023.
  11. ↑ https://www.waterstones.com/book/photography-now/charlotte-jansen/9781781576205
  12. 1 2 "Blood Speaks: 'Period Activist' and Photographer Poulomi Basu Campaigns Against Violence". ArtReview. Retrieved 24 July 2021.
  13. ↑ "Kashmiriyat". Magnum Foundation. Retrieved 9 August 2021.
  14. ↑ "BBC World Service - The Conversation, War Through A Woman's Lens". BBC.
  15. ↑ Basu, Indira (15 April 2016). "Art for the everyday feminist". The Hindu. ISSN 0971-751X. Retrieved 19 July 2021.
  16. ↑ "Poulomi Basu: To Conquer Her Land at Half King Gallery". Musée Magazine. June 2015. Retrieved 19 July 2021.
  17. ↑ "Poulomi Basu". PB. Retrieved 29 March 2022.
  18. 1 2 3 "On show at Format: Poulomi Basu's A Ritual of Exile". British Journal of Photography. Retrieved 20 July 2021.
  19. ↑ Lewis, Emma (6 April 2021). Photography – A Feminist History. Octopus. ISBN 9781781578452 – via www.hachette.co.uk.
  20. 1 2 "Centralia by Poulomi Basu". British Journal of Photography. 9 July 2019. Retrieved 25 July 2021.
  21. ↑ "Centralia by Poulomi Basu - 1854 Photography". www.1854.photography. Retrieved 29 March 2022.
  22. ↑ "Listen: Speculative Futures - Poulomi Basu and Alona Pardo in Conversation". autograph.org.uk.
  23. ↑ Kenneth Dickerman (23 May 2022). "These surreal photos are an exploration of trauma and patriarchal violence". The Washington Post. Washington, D.C. ISSN 0190-8286. OCLC 1330888409.
  24. ↑ Laxman, Shyama. "Personal and Political". Aesthetica Magazine.
  25. ↑ "Delhi's Just Another Photo Festival wants to prove that it's different from the rest". British Journal of Photography. Retrieved 19 July 2021.
  26. ↑ "Biographies". visible-justice.org. Retrieved 19 July 2021.
  27. ↑ "Humphrey Hawksley - Along the Red Corridor". Literary Review. Retrieved 14 July 2021.
  28. ↑ "Review: Centralia by Poulomi Basu". Hindustan Times. 25 September 2020. Retrieved 14 July 2021.
  29. ↑ "The Parasol Foundation Women in Photography Project • V&A Blog". V&A Blog. 8 September 2021. Retrieved 22 September 2021.
  30. ↑ Basu, Poulomi (2019). Centralia. Heaton Moor, Stockport, England: Dewi Lewis Publishing. ISBN 978-1-911306-57-3. OCLC 1111777288.
  31. ↑ "Poulomi Basu". Photoworks. Retrieved 22 September 2021.
  32. ↑ "Deutsche Börse Photography Foundation Prize 2021". The Photographers Gallery. Retrieved 19 July 2021.
  33. ↑ "Juxtapoz Magazine - Poulomi Basu "Fireflies" @ Autograph, London". www.juxtapoz.com. Retrieved 7 April 2022.
  34. ↑ "Tribeca Festival: 'Cypher,' 'A Strange Path,' 'Between the Rains' Top Competition Award Winners". The Hollywood Reporter. 15 June 2023.
  35. ↑ https://veniceproductionbridge.org
  36. ↑ "Poulomi Basu".
  37. ↑ https://www.amnh.org/explore/margaret-mead-festival
  38. ↑ "Menstrual Exile in VR | 360 Video: Blood Speaks, Tula's Story". YouTube.
  39. ↑ "UK: Kraszna-Krausz Book Awards 2021: Shortlists and Longlists". 5 May 2021.
  40. ↑ "The 2021 Deutsche Börse Photography prize sheds light on global issues". The Independent. 28 June 2021. Retrieved 14 July 2021.
  41. ↑ "The Deutsche Börse Photography Foundation Prize 2021". The Times. Retrieved 14 July 2021.
  42. ↑ Ponsford, Matthew (25 June 2021). "Prestigious photo prize honors docu-fiction on India's hidden war". CNN. Retrieved 14 July 2021.
  43. ↑ "Further funding announced for three CreativeXR projects which reinvent traditional modes of storytelling". www.digicatapult.org.uk. Retrieved 9 August 2021.
  44. ↑ "In Conversation: Curator Daniel Boetker-Smith and the Winners of SIPF Book Awards". 22 October 2020. Retrieved 19 July 2021.
  45. ↑ syroxEmedia. "Poulomi Basu Exhibition Wins Award". autograph.org.uk. Retrieved 22 September 2021.
  46. ↑ "2020 Louis Roederer Discovery Award: 10 Shortlisted Projects". www.rencontres-arles.com. Retrieved 19 July 2021.
  47. ↑ "Blood Speaks: A Ritual of Exile wins 2017 FotoEvidence Book Award - Capture magazine". www.capturemag.com.au. Retrieved 24 July 2021.
  48. ↑ Silva, Bianca (10 November 2016). "These Photographers Confront Intolerance to Document What Works". Time. Retrieved 14 December 2022.
  49. ↑ "Time Exclusive: Magnum Emergency Fund Announces 2016 Grantees". Time. Retrieved 3 May 2017.
  50. ↑ "Magnum Foundation announces 2012 scholarships for NYU/MF Photography and Human Rights program!". Magnum Foundation. 7 February 2012. Retrieved 9 August 2021.
  51. ↑ "HR Fellow Poulomi Basu awarded 2nd place in Foto visura grant". Magnum Foundation. 8 May 2013. Retrieved 9 August 2021.
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