Tri-City Symphony Orchestra

Burtis Opera House (on the left) hosted the first concerts.

The orchestra began at a meeting of musicians and citizens from Davenport, Rock Island and Moline on February 10, 1916. They hired Ludwig Becker of Chicago as the first music director. The first name for the orchestra was the Tri-City Symphony. The Tri-Cities, as the area was then called, was the smallest community in the United States to support a full symphony orchestra.^[1]

The first rehearsal for the orchestra was held on March 12, 1916, and its first concert was held on March 29. The orchestra was composed of 60 amateur and professional musicians from the Tri-Cities. The first performance was held before an audience of 1,200 people at the orchestra's first home, the Burtis Opera House, a vaudeville theater in Davenport. The program included: Wagner's Prelude to Die Meistersinger von Nuremberg; the Wagnerian aria Dich Theure Halle sung by contralto Esther Plumb; Franz Schubert's Symphony No. 8 (Unfinished); Camille Saint-Saëns’ Concerto for Piano and Orchestra, featuring pianist Robert MacDonald; and a few shorter pieces, including a string Orchestra elegy, a waltz, and Tchaikovsky's Marche Slav,^[1] The orchestra's first pops concert was held on May 6, 1917, at the Davenport Coliseum.

While the orchestra was popular among the citizens of the community, it struggled financially. At first, many of the musicians were not paid, although members of the local musicians union were paid a nominal fee. Because donations fluctuated the number of concerts the orchestra performed fluctuated. Some seasons the orchestra performed eight concerts and during other seasons they had as few as three. Because of the economy during World War I, the 1918–19 season was cancelled. The symphony struggled to set prices that would attract audiences while at the same time enable it to cover its costs. In some cases the prices were so low that sold-out programs lost money.

Great Depression

Centennial Hall

The former Masonic Temple in Davenport

The orchestra survived until the Great Depression. The musicians union insisted that their members receive payment, but the symphony could not afford to pay. By 1933 it was out of money. Most of the union musicians left the orchestra and were replaced by amateurs. Unable to perform its more traditional, complex programs, the orchestra offered free tickets for the 1933–34 season, except for a few seats that were sold for a quarter. Frank Kendrie, the new music director, was paid a $100 per concert.^[1]

In 1934 orchestra board member Elsie von Maur suggested they charge what the concerts were worth and return to hiring well-known guest artists. The changes worked. The orchestra started to make money, and was able to hire professional musicians again. The Junior Board was established in 1936 to sponsor fundraising projects. In 1940 Elsie von Maur became the symphony's first manager, a position she held for 47 years.

Von Maur began the practice of the orchestra's playing the "Star Spangled Banner" on December 7, 1941, at the concert after the Japanese bombed Pearl Harbor. The tradition of not applauding after the national anthem dates from that same concert, when the audience's stunned silence followed the anthem. During World War II, students filled the chairs of musicians who had joined the military. Unlike during the previous war, attendance at the concerts remained high, and the orchestra added concerts in 1944.

After World War II

The symphony made its national broadcast premiere with a live concert on NBC radio's Orchestras of the Nation on January 31, 1948. Later Augustana College's radio station (WVIK) started to broadcast the orchestra's masterworks concerts the week after the performance.^[2]

The symphony continued to grow in the 1950s. Concerts were moved to Centennial Hall at Augustana College. In the 1960s concerts were held at the Masonic Temple in Davenport as well. In 1976 they hired Lance Willett as the first executive director.^[3]

Quad City Symphony Orchestra

Former logo

In the 1980s, the orchestra relocated its performances to the Adler Theater, the former RKO Orpheum in Davenport, which was renovated. At the same time, the orchestra changed its name to the Quad City Symphony to better reflect the area. On October 10, 1996, the symphony premiered Lalo Schifrin's Rhapsody for Bix, a tribute to Davenport native and jazz great Bix Beiderbecke. Schifrin conducted the orchestra.^[4]

On July 3, 2010, the symphony participated in the Quad Cities Independence Day celebration, "Red, White and Boom!", for the first time. They played a 60-minute pops concert in Davenport's LeClaire Park.^[5]