Early life

René Olivares was the son of René Olivares Becerra, a director of publication (Editora Nacional Quimantú and Laura Espínola, paintor. He grew up in Santiago. He didn't like go to school and loved to draw in his father's office. "I grew up watching magazines and my mother's painting books, in which I discovered the life of the cursed artists in Paris and dreamed of imitating them one day". When he was 12 Cuando he showed his drawings to the writer Marcela Paz, who was the director of Pandilla's review. She gave her his first job as a drawer.

When he was 19, in 1965, he got married and was living in Europe with his wife for five years. They lived in Paris, Roma, Madrid et got back to Chile in 1972.^[1]

Los Jaivas

In 1972 René Olivares met Gato Alquinta, the guitarist and vocalist from the folk/progressive rock group Los Jaivas in Providencia. Alquinta liked his drawing of the Indian with the sun in his hands behind the mountains and would like it for a cover's album. But because of the Chilean coup d'état in 1973. The five members of the band with Olivares moved to Argentina and lived in community. So the pintor became the sixth Jaiva.

In 1977 the community Los Jaivas, most of 20 people, moved to Europe. They lived in Biarritz, France, then in the suburbs of Paris. Los Jaivas began to go on tour : England, Spain, Germany, Italy... In 1982 the band came back to Chile but the Olivares fall in love with a French woman and decided to stay in Paris. "I am happy to have fulfilled the dream of being a painter in Paris, which I incubated as a child reading my mother's painting books".^[1]

Los Jaivas's logo

René Olivares illustrated for the first time in 1975 a cover's album of Los Jaivas with the drawing of 1973 who represented the Indian with the sun in his hands with the album Los Jaivas and he'ill illustrate more than 20 albums. He also created posters and logo. To Eduardo Parra, member of the band : "There is no Jaivas without René Olivares nor René Olivares without Jaivas. René is the Jaiva with an unknown face and almost nothing known by his followers. However, his pictorial and stellar presence persists in the consciousness of those who like our music. Already imbued with some song, listeners cannot help but remember the incredible landscapes with which the painter wanted to exemplify these sounds".^[2] He also worked as a scenographer for Teatro Aleph, a Theatrical troupe.^[3]

In 2013, by commemorating the fifty years of artistic life of Los Jaivas René Olivares participated at an exhibition in National Museum of Fine Arts in Santiago. To Teresita Raffray, responsible of the production of temporary exhibitions, it was the first time that there was such a musical presence in the museum.^[2]

In 2023, by commemorating the sixty years of artistic life of Los Jaivas, the Cultural Foundation Los Jaivas asked to Olivares to create a mural in the subway at Cal y Canto station in Santiago. The structure is 30 meters long and 6 meters high is also a tribute to the Mapocho River, which is above the subway.^[4] "That allowed me to use it as a metaphor a little bit. [...] then shows the story of the river that was filled with stones and shows Lautarito who stole the horses, crossing the water. There are a series of images that correspond to the river. Now, this is a tribute to Los Jaivas, who are the protagonists above".^[5][6][7]

René Olivares declared in 2013:^[2]

I chose to try to be useful so I could justify other artists. And, above all, to respond to a phrase by Paul Éluard that I love: 'A poet is not the inspired but the one who inspires.' When you are not financially successful, suddenly seeing what has been left behind from your work makes you think that all this has not been useless.