Santi Domenico e Sisto
Church of Saints Dominic and Sixtus
Chiesa di Santi Domenico e Sisto
Santi Domenico e Sisto, with the two lower statues of St. Dominic and St. Sixtus by Carlo Maderno, and two upper statues of St. Thomas Aquinas and St. Peter of Verona by Marcantonio Canini.
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41°53′45.37″N 12°29′16.91″E / 41.8959361°N 12.4880306°E / 41.8959361; 12.4880306
Location1 Largo Angelicum, Rome
CountryItaly
Language(s)Italian
DenominationCatholic
TraditionRoman Rite
Religious orderDominican Order
History
DedicationSaint Dominic and Pope Sixtus II
Architecture
Architect(s)Giacomo della Porta, Orazio Torriani
Architectural typeBaroque
Groundbreaking1569
Completed1674
Administration
DioceseRome
Santi Domenico e Sisto to the left, and the nearby Santa Caterina a Magnanapoli to the right.
The Maria Advocata, c. 6th century, was displayed in the church from 1575 to 1931

The Church of Santi Domenico e Sisto is one of the titular churches[1] in Rome, Italy in the care of the Roman Catholic Order of Preachers, better known as the Dominicans. It is located at No. 1 Largo Angelicum on the Quirinal Hill on the campus of the Pontifical University of St. Thomas Aquinas (Angelicum), of which it is the University Church.

As a titular church it has been held by Cardinal José Tolentino Mendonça since 5 October 2019.

History

Exterior

The first church at the site, Santa Maria a Magnanapoli, was built sometime before the year 1000.

The present church was built at the order of Dominican Pope Pius V. Construction on the church began in 1569 and on a convent for Dominican nuns in 1575. The original plan was the work of Giacomo della Porta though during the long construction period that stretched until 1663 several other architects were involved. The lower part of the church was designed by Nicola Torriani, and the upper part by Torriani or Vincenzo della Greca. Della Greca constructed the Baroque travertine façade in 1646, with his brother Felice.

The façade contains four statues. The two upper statues representing Saint Dominic (1170–1221) and Saint Pope Sixtus II (r. 257–258) are by Marcantonio Canini. The two lower statues depict St. Thomas Aquinas and Saint Peter of Verona, were sculpted by Stefano Maderno.[2]

The exterior double staircase built in 1654 is the design of architect Orazio Torriani.

Interior

In 1649 Gian Lorenzo Bernini made designs for this church including the high altar and the first chapel on the right upon entering. The altar of this chapel and the sculpture group Noli me tangere were executed by Bernini's pupil Antonio Raggi on the designs by Bernini.

The ceiling painting of the Apotheosis of St Dominic was produced in 1674 by Domenico Maria Canuti, with trompe-l'œil framing by Enrico Haffner.

The altarpiece in the third chapel on the south side, by Pier Francesco Mola, depicts St Dominic's Vision. In the second chapel on the north side is Francesco Allegrini's 1532 The Mystical Marriage of St Catherine. In the third chapel on the north side is the 1460 Madonna and Child by Benozzo Gozzoli, a pupil of Fra Angelico.

University church

The church has functioned as the university church for the Pontifical University of St. Thomas Aquinas (Angelicum) since the Dominicans were able to re-acquire the convent complex from the Italian government in 1927 after its expropriation from the Order in 1870 due to the Laws of suppression of religious orders. The church is used to celebrate the solemn inauguration of each academic year, the feast of St. Thomas Aquinas and the official closing of the academic year. It closes during the university's summer break except for the feast of St. Dominic on 7 August. Other than during public functions, visits need to be arranged by prior appointment.

Depictions in culture

The church has been the subject of or appeared in numerous works of art. Antonio Canaletto made a pen and ink study with grey wash and black chalk, today in the collection of the British Museum, described as depicting "the Church of SS Domenico e Sisto, Rome; with a sweeping double staircase to the entrance, in the foreground a man bowing to two approaching ladies."[3]

In 1906, American painter John Singer Sargent completed an oil painting of the exterior staircase and balustrade of the church.[4] Sargent described the ensemble as "a magnificent curved staircase and balustrade, leading to a grand façade that would reduce a millionaire to a worm".[5] Sargent used the architectural features from this painting later in a portrait of Charles William Eliot, President of Harvard University.[6] Sargent also made several preliminary pencil sketches of the balustrade and staircase.[7]

The Church as also been depicted by Ettore Roesler Franz and Eero Saarinen.[8]

The Church and stair feature in the 1950 film Prima comunione by director Alessandro Blasetti.[9][10][11]

See also

Notes

  1. ↑ Since 21 October 2003.
  2. ↑ Gerhard Wiedmann, Roma barocca, 2002, p. 255, states "sopra le statue dei santi Tommaso e Pietro Martire di Stefano Maderno (1636)."
  3. ↑ "Archived". www.britishmuseum.org. Archived from the original on 20 March 2014. Retrieved 12 June 2023.
  4. ↑ Katharine Eustace, Twentieth C. Paintings in Asholeum Museum, pp. 17-19. The painting now hangs at the Ashmolean Museum at Oxford University.
  5. ↑ "Ashmolean". www.ashmolean.org. Archived from the original on 20 March 2014. Retrieved 24 February 2013.
  6. ↑ Foote, Henry Wilder (December 1953). "Charles W. Eliot (1869–1909)". www.harvardsquarelibrary.org. Harvard Library. Archived from the original on 29 September 2006. Retrieved 12 June 2023.
  7. ↑ Now in the collection of the Harvard University art collection of the Fogg Museum. http://www.harvardartmuseums.org/art/310499 Accessed 24 February 2013
  8. ↑ "Appraise and find values for Eero Saarinen (Finnish, 1910-1961) S.S. Domenico e Sisto vincenco della Brecca -+1630 Signed "ERO SAARINEN" l.r., a label from Lovisco Gallery, New York, ..." Marks 4 Antiques. Retrieved 7 April 2013.
  9. ↑ Alessandro Blasetti Accessed 7 April 2013
  10. ↑ Accessed 7 April 2013; Cento film e un'Italia da non dimenticare; Ecco i cento film italiani da salvare Corriere della Sera
  11. ↑ "100 film: Mereghetti, Brunetta, Peter von Bagh e lo storico De Luna". Archived from the original on 23 September 2015. Retrieved 6 December 2014.

References

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