Early life and career

Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania.^[2] Laura and Clarke "Deacon" Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments.^[3] His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way.^[4][5]

At the age of 12, Slide played in his family's Indianapolis jazz band, The Duke Hampton Band. By 1952, at the age of 20, he was performing at Carnegie Hall with the Lionel Hampton Band. He played with the Buddy Johnson's R&B band from 1955 to 1956, then became a member of Maynard Ferguson's band (1957–1959), where he played and arranged, providing excitement on such popular tunes as "The Fugue," "Three Little Foxes" and "Slide's Derangement." While with the Ferguson band he composed and arranged memorable charts such as "Frame For the Blues," "Go East Young Man," "Newport," Sometimes I Feel Lika A Motherless Child," "Ole" and "'Round Midnight." In 1958, he recorded with trombone masters on the classic release of Melba Liston, Melba Liston and Her 'Bones. As his reputation grew, he soon began working with bands led by Art Blakey, Tadd Dameron, Barry Harris, Thad Jones, Mel Lewis, and Max Roach, contributing both original compositions and arrangements. In 1962, he formed the Slide Hampton Octet, with horn players Freddie Hubbard, and George Coleman. The band toured the U.S. and Europe and recorded on several labels.

From 1968

In 1968, he toured with Woody Herman's orchestra, settling in Europe where he remained until 1977. He taught at Harvard, artist-in-residence in 1981,^[6] the University of Massachusetts, De Paul University in Chicago, and Indiana State University. During this period he led World of Trombones, his own nine-trombone, three-rhythm band; co-led Continuum, a quintet with Jimmy Heath that plays the music of Tadd Dameron; and freelanced as a writer and a player. In 1986 Hampton appeared in "Play It Again, Russell," an episode of The Cosby Show.^[7] He also played the trombone in Diana Ross Live! The Lady Sings... Jazz & Blues: Stolen Moments (1992), DVD.^[8]

On June 4, 2006, Hampton and long time manager and writing partner Anthony-charles:Bey promoted his first self funded concert at The Tribeca PAC in New York City (a tribute to Antonio Carlos Jobim) and debuted the Slide Hampton™ Ultra-Big Band. The concert was the first of many planned for the near future.^[9]

In 2009, Hampton completed four new compositions collectively titled "A Tribute to African-American Greatness". The songs honored Nelson Mandela, Oprah Winfrey, Tiger Woods, Venus Williams, Serena Williams and Barack Obama. The songs contained accompanying lyrics written by Hampton and manager/writing partner Anthony-charles:Bey, arrangements honoring Thelonious Monk, Thad Jones, Eddie Harris, Dexter Gordon and Gil Evans round out the program. He completed two new Big Band arrangements – "In Case of Emergency" and "The Drum Song" (both Hampton originals). These two songs (and others) will be available exclusively to universities and other educational institutions through Slide Hampton™ Musique/Music Publishing-in-trust.

Hampton was a resident of Orange, New Jersey.^[10] He died on November 18, 2021, at the age of 89.^[11]

As leader

As arranger

With Junior Cook

• Good Cookin' (Muse, 1979) - also composer and performer

With Maynard Ferguson

• A Message from Newport (Roulette, 1958) – also composer and performer
• Swingin' My Way Through College (Roulette, 1959) – also performer
• Maynard Ferguson Plays Jazz for Dancing (Roulette, 1959) – also performer
• Newport Suite (Roulette, 1960) – also composer
• Let's Face the Music and Dance (Roulette, 1960) – also performer
• Maynard '61 (Roulette, 1961) – also composer and performer
• Maynard '62 (Roulette, 1962) – also composer and performer
• Maynard '64 (Roulette 1959-62 [1963]) – also performer [1 track]

With Dexter Gordon

• Sophisticated Giant (Columbia, 1977) – also composer and performer

With J. J. Johnson

• Goodies (RCA Victor, 1965)

With Melba Liston

• Melba Liston and Her 'Bones (MetroJazz, 1958) - also performer

As sideman

With Nat Adderley

• Much Brass (Riverside, 1959)

With Art Blakey

• Killer Joe (Union Jazz, 1981) – with George Kawaguchi

With Robin Eubanks

• Different Perspectives (JMT, 1989)

With Maynard Ferguson

• Ridin' High (Enterprise, 1967)

With Art Farmer

• The Meaning of Art (Arabesque, 1995) as arranger and performer

With Curtis Fuller

• Two Bones (Blue Note, 1958 [1980])

With Dizzy Gillespie

• Live at the Royal Festival Hall (Enja, 1989)

With Bill Hardman

• Home (Muse, 1978)
• Focus (Muse, 1980 [1984])

With Barry Harris

• Luminescence! (Prestige, 1967)

With Louis Hayes

• The Real Thing (Muse, 1977)

With Philly Joe Jones

• Advance! (Galaxy, 1978) as arranger and performer
• Drum Song (Galaxy, 1978 [1985]) as arranger and performer

With Sam Jones

• Changes & Things (Xanadu, 1977)
• Something in Common (Muse, 1977)

With Hank Mobley

• The Flip (Blue Note, 1970)

With Charles Mingus

• Mingus Revisited (1960)

With Oliver Nelson

• Berlin Dialogue for Orchestra (Flying Dutchman, 1970)

With Claudio Roditi

• Claudio! (Uptown, 1985)

With Rob Schneiderman

• New Outlook (Reservoir, 1988)

With Woody Shaw

• The Woody Shaw Concert Ensemble at the Berliner Jazztage (Muse, 1976)

With McCoy Tyner

• 13th House (Milestone, 1981)
• Turning Point (Birdology, 1992)
• Journey (Birdology, 1993)

With Randy Weston

• Destry Rides Again (United Artists, 1959)
• Uhuru Afrika (Roulette, 1960)