The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch.[1] Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra (premiered 1981). Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings."[2]
Instrumentation
It is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, two trumpets, three trombones, one tuba, timpani, percussion, a celesta, a harp and strings.[3]
Structure
It is in four movements:
Recordings
- Igor Buketoff, Royal Philharmonic Orchestra (1968?, RCA) (CRI CD)
References
- ↑ "List of Anniversary Commissions". Retrieved 26 August 2015.
- ↑ Olmstead, Andrea (2012). Roger Sessions: A Biography, p.356. Routledge. ISBN 9781135868925.
- ↑ "Welcome to Presser Online". Presser. Archived from the original on 26 May 2003. Retrieved 7 August 2009.
- 1 2 3 4 "Notes to recording of symphonies 1–3". Composers Recordings International. Retrieved 6 August 2009.
Further reading
- Imbrie, Andrew (1972). "The Symphonies of Roger Sessions". Tempo (new series), no. 103 (December): 24–32.
- Koh, Tse-Ying (1995). "The Twelve-Tone Method and the Classical Tradition in Roger Sessions' Symphony No. 3". M.M. thesis. Houston: Rice University.