Tamizō Ishida
Born(1901-06-07)7 June 1901
Died1 October 1972(1972-10-01) (aged 71)
NationalityJapanese
Occupation(s)Film director, screenwriter
Years active1926–1947

Tamizō Ishida (石田民三, Ishida Tamizō, 7 June 1901 – 1 October 1972) was a Japanese film director and screenwriter.[1][2][3] He is most noted for his 1938 historical drama film Fallen Blossoms, which is now regarded as one of the outstanding works of 1930s Japanese cinema.[1][4]

Biography

Ishida was born in Masuda (now Yokote), Akita Prefecture, Japan.[3][4] He gave his directing debut at Toa Kinema in 1926, specialising in chanbara (sword fight) films,[1][4] the majority of which are regarded as lost.[1] In the mid-1930s, Ishida made himself a name with literary adaptations, often in collaboration with the Bungakuza theatre troupe,[1] and films with female casts.[4] Nowadays, his films set in entertainment districts are regarded as his standout works,[4] most notably the 1938 Fallen Blossoms, a formally innovative film about the inhabitants of a Kyoto geisha house in the late Edo period.[1][4] Other notable films of the era include Yoru no hato (1937), Mukashi no uta and Hanatsumi nikki (both 1939), Keshōyuki (1940, based on a story by Mikio Naruse) and Asagiri gunka (1943).[1][4] After the end of World War II, Ishida directed only one more film before his early retirement from film business, instead running a teahouse with his wife in Kamishichiken, Kyoto.[4]

Selected filmography

  • 1927: Keyamura Rokusuke (毛谷村六助)
  • 1927: Date hiroku: Matsumae Tetsunosuke (伊達秘録 松前鉄之助) partially extant film
  • 1934: Osen (おせん) partially extant film
  • 1937: Hanabi no machi (花火の街)
  • 1937: Yoru no hato (夜の鳩)
  • 1938: Fallen Blossoms (Hana chirinu)
  • 1939: Mukashi no uta (むかしの歌)
  • 1939: Hanatsumi nikki (花つみ日記)
  • 1940: Keshōyuki (化粧雪)
  • 1943: Asagiri gunka (あさぎり軍歌)
  • 1947: En wa ina mono (縁は異なもの)

Legacy

In 2022, the National Film Archive of Japan presented a small retrospective in commemoration of Ishida with seven of his films.[4] Fallen Blossoms was screened at the Il Cinema Ritrovato Festival in 2017[5] and included in the British Film Institute's The best Japanese film of every year – from 1925 to now list.[6]

References

  1. 1 2 3 4 5 6 7 Jacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day. Berkeley: Stone Bridge Press. ISBN 978-1-933330-53-2.
  2. "石田民三". Japanese Movie Database (in Japanese). Retrieved 21 August 2023.
  3. 1 2 "石田民三". Kinenote (in Japanese). Retrieved 21 August 2023.
  4. 1 2 3 4 5 6 7 8 9 "東宝の90年 モダンと革新の映画史(1)". National Film Archive of Japan (in Japanese). Retrieved 21 August 2023.
  5. "Hana chirinu". Il Cinema Ritrovato. Retrieved 21 August 2023.
  6. "The best Japanese film of every year – from 1925 to now". British Film Institute. Retrieved 17 January 2023.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.