Early years

In 1989, Azita Youssefi left Washington, D.C. suburbia to attend the Art Institute of Chicago, intending to pursue a study in painting and drawing. While still in her first year of school, Youssefi had begun to grow tired of producing only visual art, and a blossoming relationship with Elliot Dicks, who worked at the School of the Art Institute of Chicago store, prompted Youssefi to begin experimenting with sound and music. After convincing a teenage friend from the D.C. scene, Heather Melowic, to join her in Chicago, Youssefi, along with Melowic, managed to persuade fellow teenage friend from the D.C. scene, guitarist, Silver Springs, Maryland native, and also a student at SAIC, Sue Anne Zollinger to fill out their three-piece. The Scissor Girls formed in the summer of 1991 with Azita on bass, Zollinger on guitar, and Melowic on drums.

At the School of the Art Institute of Chicago, Azita and Sue Anne became friends with Kelly Kuvo, formerly of Denver, Colorado, hence the KUVO nom de plume. Azita was cast playing herself in Kuvo's SAIC final thesis Film and TV project, a Chicago Cable Access television production, Miss Artificial Spring. Kuvo lived and worked in the Wicker Park district of Chicago. While working at Copy Max, Kuvo offered to make The Scissor Girls fliers, demo tape inserts, and posters as a trade for a copy of their first demo cassette. Both Azita and Sue Anne signed it for her. The first gig by The Scissor Girls was a local performance that took place on Halloween night 1992. Also in 1992, the band began to record their first 7-inch, Phy, Diablo!, issuing the release on Chicago indie label Monkeytech. The album sleeve of each release included a real dried cricket smashed and taped to the cover. At around the same time, the Scissor Girls contributed to the Mira Records-released split 7-inch single "Time Expired", accompanied by tracks from Slant 6, Drinking Woman, and Rasto.^[2]

First releases

In 1994 the Scissor Girls began recording their first 10” LP, “From: The Scissor Girls To: The Imaginary Layer On Skeletons,” this time for Quinnah Records. The Scissor Girls first LP was delayed numerous times due to Quinnah’s tight budget at the time. When Quinnah finally did send the group’s master tapes to be pressed, the group discovered that the record pressing plant to which the masters had been sent had burned down, further delaying the album, but not affecting the master tapes, which were unharmed. The album was finally released in late 1994 as an expanded 12” LP, 500 copies of which were released on marbled gray vinyl, and all of which included a fold-out map hand-drawn by Youssefi. The CD version of “From: The Scissor Girls To: The Imaginary Layer on Skeletons” was released by The Making of Americans label, run by the New York City queercore duo, God is My Co-Pilot.^[2] The album was to be described as "blood red math rock" by Kathleen Hanna of Bikini Kill, Julie Ruin, and Le Tigre.

Lineup changes

Following the recording of “From: The Scissor Girls To: The Imaginary Layer on Skeletons” the band immediately set to work on a follow-up LP titled, “We People Space with Phantoms.” This album would be the final Scissor Girls album to include founding member Sue Anne Zollinger, who left the band after the recording to continue her education and pursue a master's degree, then ultimately a PhD. Following Zollinger's departure, the band hired guitarist James Yoo to accompany them on a tour. Youssefi and Melowic, the remaining Scissor Girls, quickly realized that the guitar style of Zollinger's replacement did not mesh well with their own sound, and opted to replace Yoo mid-tour. Newly minted guitarist Kelly Kuvo, a big fan of the band since the early days following their formation and who had actually been living with Zollinger before the latter's departure from The Scissor Girls, was chosen to replace Yoo for the remainder of the tour. Though initially reluctant to collaborate with The Scissor Girls due to her commitments to her two other groups, Blackgrass with Forrester Cobalt, Dylan Posa, and Rose Meyers, and, Dot Dot Dot with Rose Meyers of Zeek Sheck, 0th, etc., and Jodie McCann Mechanic Baltazar of MATH, Duotron, Monotrona, etc. Her productions of video art and television shows for Public-access television cable TV were also extremely time consuming. Alas, Kuvo agreed to take a week off work in order to help the band finish their tour. Eventually Kuvo would go on to become a full-time member of the group, collaborating as singer, songwriter and guitarist on the band's self-released 7" singles "New Tactical Outline Sec. 1" and "New Tactical Outline Sec. 2." in 1995, and the 10" EP "S-T-A-T-I-C-L-A-N-D" released on Load Records, her self-produced SG Research Music Videos, and to the band's road shows until the band's breakup in 1996.^[2]

Television appearances

After finishing up their first tour with the new lineup, the Scissor Girls began to look for new opportunities to expand their audience. With this goal in mind, Kelly Kuvo produced an SG Research 96 music video show for Chicago Cable Access TV, and the band began making appearances on local Chicago-area television programs such as "Ben Loves Chicago" and the American Bandstand-like, all-ages cable-access dance show Chic-a-Go-Go. One of the prerequisites for performing on Chic-a-Go-Go stipulated that the trio would have to lip-sync their contribution to the program. This became a point of contention with drummer Heather Melowic, who refused to perform on the show. Despite Melowic's refusal to appear on the program, the other members of the band opted not to cancel their performance. In Melowics' stead, a young girl dressed as a cavewoman volunteered to intermittently beat a snare drum with a plastic dinosaur bone in lieu of Melowic's percussive accompaniment. After the Chic-a-go-go performance The Scissor Girls were offered a chance to appear on The Jenny Jones Show, but the performance was dropped.^[2]

Further releases

In March 1996, the Scissor Girls, now with Kuvo on guitar, released their first EP, the Load Records-released 10" EP, "So That You Can Start to See What S-T-A-T-I-C-L-A-N-D." The album was jointly produced by Tom Smith and Sonic Youth guitarist Jim O'Rourke in the winter of 1995.^[3] It was during the recording of this first EP that the band finally managed to secure a release for their second album We People Space with Phantoms, which the band had recorded with original guitarist Sue Anne Zollinger, but which had sat unreleased on the shelf since it was recorded in October 1994. The job of issuing the album ultimately fell to Atavistic Records, which released the LP on April 16, 1996. Following the release of their second album, the Scissor Girls were offered a contract by Atavistic with the stipulation that the band would release two further records for the label. For some reason, guitarist Kelly Kuvo's name was not on the offer, but both Youssefi and Melowic agreed to be signed to Atavistic.^[2] Despite not being signed to the contract, Kelly Kuvo remained in the band to perform and record anyway.

Breakup

In 1996, with the band now committed to a label, the trio of Youssefi, Melowic, and Kuvo returned to the studio to record the band's third LP. Though work was started on the album, it was never completed. After recording her drum parts for the album, Melowic opted to continue her education, ultimately achieving a PhD. Melowic's exit prompted Kuvo to depart after recording her guitar parts for the album, leaving Azita to finish recording her bass parts alone. The band's final album is incomplete and unreleased. The Scissor Girls officially disbanded in October 1996, without fulfilling their two-album contract with Atavistic, who instead released a singles compilation, "Here Is the 'Is-Not'," in April 1997. "Here Is the 'Is-Not'" would be the band's final release.^[2][4][5]

After the Scissor Girls

After the breakup of the band, Azita Youssefi went on to form the short-lived Bride of No No. Following the breakup of Bride of No No, Youssefi went on to perform solo as "Azita", crafting much softer and more accessible piano-based compositions far removed from the Scissor Girls noisy experimentation.

During her last year in The Scissor Girls, Melowic also joined forces in the Chicago no-wave supergroup Lake of Dracula, contributing drums alongside the Flying Luttenbachers' Weasel Walter, who provided lead guitar, Couch's Marlon Magas, who supplied vocals, and Shorty and U.S. Maple vocalist Al Johnson (billed as the Manhattanite) on backing vocals. The group lasted through 1997 at which point Melowic decided to continue her education, studying virology at the University of Illinois.^[2] Melowic eventually went on to obtain a Ph.D. in biochemistry.^[6] and now enjoys teaching Chemistry to High School students in New Jersey.

After her time in The Scissor Girls, Kelly Kuvo went on to receive an MA in Studio Art and Art Therapy from New York University. She moved to Brooklyn where she helped form the band Sweet Thunder of Niagara Falls with Jodie McCann Mechanic Baltazar of MATH, Duotron, Monotrona, etc., Peter Redgrave, Heather Romney, Alexander Eiserloh, Gavilan Rayna Russom of The Crystal Ark, Ladies of LCD Soundsystem, etc., as well as with Casey Spooner and Lizzy Yoder of Fischerspooner.^[2] Kuvo continues writing as a freelancer and has written for magazines such as The Lumpen Times, Index, Roctober Magazine, Oui, Scram Magazine, Art US, and Vice Magazine, including six reviews published in the music anthology book, Lost In The Grooves.^[2] Kuvo produced a DVD retrospective video compilation for The Scissor Girls in 2004 later to be released by Savage Land Records in 2011. She continues to make and collaborate on art, video, literature, and music projects, such as Who Killed Pan with pianist Katie McKay. In Los Angeles, Kuvo hosted The Bubblegum Music Achievement Awards Ceremony, twice. Currently, Kelly Kuvo has retired from teaching art and technology to public school children, now living the quiet life selling her wares at an Artists & Fleas booth in Venice Beach, California.

Upon her departure from the band, original guitarist SueAnne Zollinger went on to receive a Ph.D in Biology and Neuroscience, studying sound production and vocal learning.^[6]

Singles

• "Hey Diablo!" 7" (MonkeyTech, 1993)
• "New Tactical Outline Sec. 1" 7" (SG Research, 1995)
• "New Tactical Outline Sec. 2" 7" (SG Research, 1995)

EPs

• So That You Can Start To See What S-T-A-T-I-C-L-A-N-D 10” (Load, 1996)

Albums

• From: The Scissor Girls To: The Imaginary Layer On Skeletons LP (Quinnah, 1994)
• We People Space with Phantoms LP/CD (Atavistic, 1996)
• Here is the "Is-Not" CD (Atavistic, 1997)

Video

• SG DVD 2004 DVD-R ( 2hr video compilation, Released by Kelly Kuvo in an edition of 30, 2004)^[7]
• THE SGs ARE DEAD, LONG LIVE THE SGs DVD (2 hour video compilation, released by Savage Land Records, 2011)