Thomas Houseago
Education
Known forsculpture, painting

Thomas Houseago (b. 1972 Leeds, England) is a British contemporary artist. He lives in Los Angeles, California, and also has American citizenship.[1][2] Much of his work has been figurative sculpture, often on a large scale, in plaster, bronze or aluminium; his large plaster Baby was included in the Whitney Biennial in 2010. He has also made architectural installations.[3]

Life and career

Houseago grew up in Leeds in West Yorkshire, where his mother was a teacher.[2] He did his foundation year at Jacob Kramer College in Leeds, and in 1991 went to Central Saint Martins College of Art and Design in London.[3][4][5] He then studied at De Ateliers in Amsterdam, where he came into contact with figurative artists such as Marlene Dumas, Thomas Schütte and Luc Tuymans.[4] He lived for eight years in Brussels before moving to Los Angeles in 2003.[4][6][5] Houseago held his first solo exhibition, titled Serpent (2009), in the United States at David Kordansky Gallery in Los Angeles, which was also the gallery's inaugural show.[7] In the Frogtown district of Los Angeles, his studio complex occupies four single-story industrial buildings along the Los Angeles River.[8]

Donald and Mera Rubell, art collectors from Miami, bought several of his works in 2006.[6] His large plaster Baby was included in the Whitney Biennial in 2010,[3] and in 2011 L'Homme Pressé, a tall bronze figure of a walking man, was installed in front of Palazzo Grassi on the Grand Canal in Venice during the Biennale.[9][10]

In 2022, he collaborated with Brad Pitt and Nick Cave for an exhibit at the Sara Hildén Art Museum in Tampere, Finland entitled We.[11]

Art market

Houseago is represented by Xavier Hufkens Gallery, Gagosian Gallery and Hauser & Wirth.[12] Early in his career, Houseago began a relationship with Xavier Hufkens Gallery in Brussels. He later began showing with Michael Werner Gallery in New York.[13] He was previously represented by David Kordansky in Los Angeles.[14][15][16]

Personal life

During his time at De Ateliers, Houseago met the American painter Amy Bessone with whom he lived until 2013.

References

Wikimedia Commons has media related to Thomas Houseago.
  1. ↑ Suzanne Muchnic (March 15, 2017), Over the Wall: Thomas Houseago's Latest Works Engage Builders, Breakers, and Climbers. ARTnews.
  2. 1 2 Kelly Crow (December 7, 2012). Searching for the Next Art-World Star. Wall Street Journal. Archived December 24, 2014.
  3. 1 2 3 Ted Loos (November 6, 2014). Leaving the Monsters Behind: Thomas Houseago’s Long Road to 'Moun Room'. New York Times.
  4. 1 2 3 Jonathan Griffin (August 17, 2012). Thomas Houseago’s sacred monsters. Financial Times. Archived August 19, 2016.
  5. 1 2 Susan Morgan (January 31, 2018). Gagosian Inside the Healing L.A. Studio of Artist Thomas Houseago, Where Ghosts (and Brad Pitt) Roam. W Magazine.
  6. 1 2 Jori Finkel (January 2, 2011). Sculptor Thomas Houseago's shape-shifting world. Los Angeles Times.
  7. ↑ "David Kordansky Gallery". Ocula.
  8. ↑ Susan Morgan (January 31, 2018), Inside the Healing L.A. Studio of Artist Thomas Houseago, Where Ghosts (and Brad Pitt) Roam W.
  9. ↑ Jori Finkel (June 2, 2011). Notes from the Venice Biennale: Thomas Houseago's can't-be-missed sculpture at Palazzo Grassi. Los Angeles Times.
  10. ↑ John Batten (July 9, 2016). Gagosian Hong Kong shows first paintings of much collected sculptor Thomas Houseago. Hong Kong: Post Magazine.
  11. ↑ Jhala, Kabir. "Brad Pitt makes his debut as a sculptor in Finland exhibition". CNN. Retrieved 22 September 2022.
  12. ↑ Ted Loos (November 6, 2014), Leaving the Monsters Behind: Thomas Houseago’s Long Road to ‘Moun Room’ New York Times.
  13. ↑ Jori Finkel (January 2, 2011), Sculptor Thomas Houseago's shape-shifting world Los Angeles Times.
  14. ↑ Jonathan Griffin (August 17, 2012), Thomas Houseago’s sacred monsters Financial Times.
  15. ↑ Jonathan Griffin (September 10, 2014), The New Dealer New York Times.
  16. ↑ Ted Loos (November 6, 2014), Leaving the Monsters Behind: Thomas Houseago’s Long Road to ‘Moun Room’ New York Times.
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