Wayne Thiebaud
Born
Morton Wayne Thiebaud[1]

(1920-11-15)November 15, 1920
Mesa, Arizona, U.S.
DiedDecember 25, 2021(2021-12-25) (aged 101)
Sacramento, California, U.S.
EducationSacramento State College
San Jose State College
Sacramento State
Known forPainting, printmaking
MovementPop Art, New Realism, Bay Area Figurative Movement
Children
AwardsNational Medal of Arts (1994)

Morton Wayne Thiebaud (/ˈtiːboʊ/ TEE-boh; November 15, 1920 – December 25, 2021) was an American painter known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.

Early life and education

Thiebaud was born to Alice Eugenia (Le Baron) and Morton Thiebaud in Mesa, Arizona.[2][3] They moved a year later to Southern California where the family lived for most of Thiebaud's childhood until he graduated from secondary school in Long Beach, California.[4] Thiebaud and his family were members of the Church of Jesus Christ of Latter-day Saints, and his father was a bishop in the church when Thiebaud was a teenager.[2] Morton was also a Ford mechanic, foreman at Gold Medal Creamery, traffic safety supervisor, and real estate agent.[2]

One summer during his high school years, he apprenticed at Walt Disney Studios[5] drawing "in-betweens" of Goofy, Pinocchio, and Jiminy Cricket at a rate of $14 a week. The next summer, he studied at the Frank Wiggins Trade School in Los Angeles. From 1938 to 1949, he worked as a cartoonist and designer in California and New York City. He served as an artist in the First Motion Picture Unit of the United States Army Air Forces from 1942 to 1945.[6]

In 1949, he enrolled at San Jose State College (now San José State University) before transferring to Sacramento State College (now California State University, Sacramento), where he earned a bachelor's degree in 1951 and a master's degree in 1952.

Career

Thiebaud subsequently began teaching at Sacramento City College. In 1960, he became assistant professor at the University of California, Davis, where he remained through 1991 and influenced numerous art students. He held a Professor Emeritus title there up until his death in late 2021. Occasionally, he gave pro bono lectures at U.C. Davis.

On a leave of absence during 1956–57, he spent time in New York City, where he became friends with Elaine and Willem de Kooning[4] and Franz Kline, and was much influenced by these abstractionists as well as by proto-pop artists Robert Rauschenberg and Jasper Johns. During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes.

Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative Gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York.

In 1960, he had his first solo show in San Francisco at the San Francisco Museum of Modern Art, and shows in New York City at the Staempfli and Tanager galleries. These shows received little notice, but two years later, a 1962 Sidney Janis Gallery exhibition in New York officially launched Pop Art, bringing Thiebaud national recognition, although he disclaimed being anything other than a painter of illusionistic form.

In 1961, Thiebaud met and became friends with art dealer Allan Stone (1932–2006), the man who gave him his first "break."[6] Stone was Thiebaud's dealer until Stone's death in 2006.[7] Stone said of Thiebaud "I have had the pleasure of friendship with a complex and talented man, a terrific teacher and cook, the best raconteur in the west with a spin serve, and a great painter whose magical touch is exceeded only by his genuine modesty and humility. Thiebaud's dedication to painting and his pursuit of excellence inspire all who are lucky enough to come in contact with him. He is a very special man." After Stone's death, Thiebaud's son Paul Thiebaud (1960–2010) took over as his dealer. Paul Thiebaud was a successful art dealer in his own right and had eponymous galleries in Manhattan and San Francisco; he died June 19, 2010.

In 1962, Thiebaud's work was included, along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Joe Goode, Edward Ruscha, and Robert Dowd, in the historically important and ground-breaking "New Painting of Common Objects," curated by Walter Hopps at the Pasadena Art Museum (now the Norton Simon Museum at Pasadena).[8] This exhibition is considered to have been one of the first Pop Art exhibitions in the United States. These painters were part of a new movement, in a time of social unrest, which shocked the United States and the art world.

In 1963, he turned increasingly to figure painting: wooden and rigid, with each detail sharply emphasized. In 1964, he made his first prints at Crown Point Press, and continued to make prints throughout his career. In 1967, his work was shown at the Biennale Internationale.

Personal life and death

Thiebaud was married twice. With his first wife, Patricia Patterson, he had two children, one of whom is the model and writer Twinka Thiebaud.[9] With his second wife, Betty Jean Carr, he had a son, Paul LeBaron Thiebaud, who became an art dealer. He also adopted Betty's son, Matthew.[10]

He died at his residence in Sacramento on Christmas Day 2021, at age 101.[11][12]

Work

Three Machines, 1963, de Young Museum, San Francisco

Thiebaud is well known for his paintings of production line objects found in diners and cafeterias, such as pies and pastries. As a young man in Long Beach, he worked at a cafe named Mile High and Red Hot, where "Mile High" was ice cream and "Red Hot" was a hot dog.[13]

He was associated with the Pop art painters because of his interest in objects of mass culture; however, his works, executed during the 1950s and 1960s, slightly predate the works of the classic pop artists, suggesting that Thiebaud may have had an influence on the movement. Thiebaud employed heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.[5] Thiebaud was averse to labels such as "fine art" versus "commercial art" and described himself as "just an old-fashioned painter".[14] He disliked Andy Warhol's "flat" and "mechanical" paintings and did not consider himself a pop artist.[15][16]

In addition to pastries, Thiebaud painted characters such as Mickey Mouse as well as landscapes, streetscapes, and cityscapes, which were influenced by the work of Richard Diebenkorn.[17] His paintings such as Sunset Streets (1985) and Flatland River (1997) are noted for their hyper realism, and have been compared to Edward Hopper's work, another artist who was fascinated with mundane scenes from everyday American life.[17]

Notable works

  • 1961 Drink Syrups
  • 1961 Pies, Pies, Pies
  • 1962 Around the Cake
  • 1962 Bakery Counter
  • 1962 Confections
  • 1962 Candy Machine
  • 1963 Display Cakes
  • 1963 Cakes
  • 1963 Girl with Ice Cream Cone
  • 1964 Three Strawberry Shakes
  • 1964 Eight Lipsticks
  • 1964 Man Sitting – Back View
  • 1964 Lemon Cake
  • 1966 Powder With Puff
  • 1968 Coloma Ridge
  • 1968 Sandwich
  • 1970 Seven Suckers
  • 1971 Four Cupcakes
  • 1975 Shoe Rows
  • 1976 Potrero Hill
  • 1977 24th Street Intersection
  • 1981 Hill Street (Day City)
  • 1987 Two Paint Cans
  • 1991 The Three Cows
  • 1992 Thirteen Books
  • 1993 Apartment View
  • 1993 Coastline (California Arts Council specialty license plate)[18][19]
  • 1996 Farm Channel
  • 1999 Reservoir
  • 2000 Clown Cones
  • 2002 Jolly Cones (Ice Cream Cones)
  • 2008 Three Ice cream Cones
  • 2010 The Google 12th Birthday Cake[20]
  • 2010 Tulip Sundae

Collections and exhibitions

Thiebaud's works are in permanent collections at the Los Angeles County Museum of Art, the Crocker Art Museum, and the Whitney Museum of American Art. The Hirshhorn Museum and Sculpture Garden, the Albright-Knox Art Gallery, the San Francisco Museum of Modern Art, the Albrecht-Kemper Museum of Art, and the Phoenix Art Museum have also held works by the artist.[21] Exhibitions featuring Thiebaud include a 2001 retrospective at the Whitney Museum,[22] a 2012 retrospective at Acquavella Galleries,[21] and a 2021 retrospective at the Toledo Museum of Art.[23]

The Crocker has hosted a Thiebaud exhibition every decade since 1951,[24] including "Wayne Thiebaud 100" to honor the artist's 100th birthday in 2020.[25]

Recognition

In 1987, Thiebaud was awarded the Golden Plate Award of the American Academy of Achievement.[26] On October 14, 1994, Thiebaud was presented with the National Medal of Arts by President Clinton.[27] In 2009, he was honored by California Lawyers for the Arts with its Artistic License Award at its annual gala celebration. He also received the Lifetime Achievement Award for Art from the American Academy of Design in 2001.[21] Thiebaud was inducted into the California Hall of Fame in 2010 at the California Museum, Sacramento,[21] and in 2013, he was honored with the California Art Award in recognition of his part in raising the prominence of California art around the world.[28]

Auction records

In November 2019, Sotheby's $8.46 million sale of Thiebaud's 2011 painting Encased Cakes set an auction record for the artist.[29] This record was broken in July 2020, when his 1962 painting Four Pinball Machines sold for $19,135,000 in New York City at a Christie's global live auction event.[30]

Influences

One of Thiebaud's students from Sacramento City College was the artist Fritz Scholder (1937–2005), who went on to become a major influence in the direction of American Indian art through his instruction at the Institute of American Indian Arts in Santa Fe, New Mexico (1964–1969). The painter Mel Ramos (1935–2018), considered Thiebaud his mentor.[31] Among his pupils were the painters Faith Bromberg,[32] Vonn Cummings Sumner,[33] and Christopher Brown.[34]

Sharon Core is a photographer known for her photographic interpretations of Thiebaud's works.

References

  1. ↑ "Wayne Thiebaud biography". National Gallery of Art. Retrieved January 28, 2020.
  2. 1 2 3 Kuz, Martin. "Wayne Thiebaud {The First 90 Years}", Sactown Magazine, October 2010. Retrieved on March 15, 2020.
  3. ↑ Newsmakers, 1991 Subscription. Thomson Gale. March 1991. p. 109. ISBN 978-0-8103-7341-9.
  4. 1 2 Brown, Patricia Leigh (September 29, 2010). "Sweet Home California". New York Times. Retrieved October 1, 2013.
  5. 1 2 McGuigan, Cathleen (February 2011). "Wayne Thiebaud Is Not a Pop Artist". Smithsonian Magazine. Archived from the original on April 28, 2011. Retrieved October 1, 2013.
  6. 1 2 Thiebaud, Wayne; Berkson, Bill (1994). Figurative Works, 1959–1994: March 22–April 30, 1994. Belmont, CA: Wiegand Gallery, College of Notre Dame. OCLC 1195741314.
  7. ↑ "Gallery". Allan Stone Gallery. Retrieved October 1, 2013.
  8. ↑ "Museum History". Norton Simon Museum. Retrieved October 1, 2013.
  9. ↑ "Oral history interview with Wayne Thiebaud, 2001 May 17–18". Archives of American Art, Smithsonian Institution. Retrieved December 26, 2021.
  10. ↑ Baker, Kenneth (June 30, 2010). "Paul Thiebaud, art dealer son of painter, dies". San Francisco Chronicle. Retrieved December 26, 2021.
  11. ↑ Kimmelman, Michael (December 26, 2021). "Wayne Thiebaud, Playful Painter of the Everyday, Dies at 101". The New York Times. ISSN 0362-4331. Retrieved December 26, 2021.
  12. ↑ "Wayne Thiebaud American Proto-Pop Painter Dies Age 101". Artlyst. December 25, 2021. Retrieved December 26, 2021.
  13. ↑ Scheller, William (2008). America, a history in art: the American journey told by painters, sculptors, photographers, and architects. Black Dog Publishing.
  14. ↑ "Thiebaud on Being a Pop Artist". Smithsonian. Retrieved April 27, 2014.
  15. ↑ Boxer, Sarah (February 17, 2008). "Life Is Sweet". New York Times. Retrieved April 27, 2014.
  16. ↑ Hodge, Susie (2012). Why Your Five Year Old Could Not Have Done That: Modern Art Explained. Prestel. pp. 42–43. ISBN 978-3-7913-4735-6. LCCN 2012940064.
  17. 1 2 Yau, John (July–August 2010). "Wayne Thiebaud: 70 Years of Painting". The Brooklyn Rail.
  18. ↑ Knight, Christopher (June 29, 2010). "Wayne Thiebaud's Pop art license plate design". Los Angeles Times. Retrieved September 4, 2015.
  19. ↑ "Arts Plate". California Arts Council. Retrieved September 4, 2015.
  20. ↑ "Google's 12th Birthday by Wayne Thiebaud". Retrieved June 9, 2022.
  21. 1 2 3 4 "Wayne Thiebaud: A Retrospective" (PDF) (Press release). New York: Acquavella Galleries. Retrieved December 26, 2021.
  22. ↑ "Wayne Thiebaud: A Paintings Retrospective". Whitney Museum of American Art. Retrieved December 26, 2021.
  23. ↑ "Wayne Thiebaud 100: Paintings, Prints and Drawings". Toledo Museum of Art. October 19, 2020. Retrieved December 26, 2021.
  24. ↑ "Wayne Thiebaud 100: Paintings, Prints and Drawings". Crocker Museum. Retrieved October 13, 2020.
  25. ↑ "Wayne Thiebaud 100". Crocker Museum. Retrieved October 13, 2020.
  26. ↑ "Golden Plate Awardees of the American Academy of Achievement". Academy of Achievement. Retrieved December 26, 2021.
  27. ↑ "17 Are Honored In Arts Fields". The New York Times. October 14, 1994.
  28. ↑ David Ng (October 14, 2013), Wayne Thiebaud donates works to Laguna Art Museum Los Angeles Times.
  29. ↑ Smith, Darrell (November 15, 2019). "'Encased Cakes' nets record $8.46 million auction price for Sacramento art legend Thiebaud". The Sacramento Bee. Retrieved December 26, 2021.
  30. ↑ "Lichtenstein fetches $46,242,500 as historic ONE sale tops $420m — setting seven artist records". Christie's. July 11, 2020. Retrieved December 26, 2021.
  31. ↑ Shields, Scott A.; Johnathon Keats; Diana L. Daniels (2012). Mel Ramos: 50 Years of Superheroes, Nudes, and Other Pop Delights. San Francisco: Modernism, Inc. p. 4. ISBN 978-0-9830673-2-0.
  32. ↑ Jules Heller; Nancy G. Heller (December 19, 2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 978-1-135-63882-5.
  33. ↑ Sumner, Vonn (May 7, 2014). "American Gumbo: Wayne Thiebaud". Artillery Magazine. Retrieved December 27, 2021.
  34. ↑ Landauer, Susan; Gerdts, William H.; Trenton, Patricia (November 10, 2003). The Not-So-Still Life: A Century of California Painting and Sculpture. University of California Press. p. 187. ISBN 978-0-520-23938-8.

Books

  • Nash, Steven A.; Wayne Thiebaud Paintings: A Retrospective (Thames Hudson, 2000) ISBN 0500092923
  • Baker, Kenneth; Fox Weber, Nicholas; Wayne Thiebaud (Rizzoli, 2022) ISBN 0847871622
  • Rubin, Susan; Life and Art of Wayne Thiebaud (Chronicle Press, 2008) ISBN 0811851680
  • Shields, Scott; Wayne Thiebaud 100: Paintings, Prints, and Drawings (Pomegranate, 2020) ISBN 1087501172
  • Thiebaud, Wayne; Williams, LG; Cooper, Gene; Wayne Thiebaud Lectures on Art and Drawing (PCP Press, 2018) ISBN 1985865432

Further reading

  • John Coplans, "New Paintings of Common Objects", Artforum, November 1962. (Illustrations)
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