Exterior

All Saints is constructed in local red sandstone. Its plan consists of a nave with a clerestory, north and south aisles, and a three-bay chancel with two-bay chapels to the north and south. In the centre of the south side of the church is a four-stage tower, with a two-storey porch to its west, and the south chapel to its east.^[4] On the south side of the tower is a Norman round-headed window. The chancel, with its five-light east window, is Decorated in style, and the south chapel is Perpendicular. The north chapel contains both Decorated and Perpendicular windows, this is now use as a vestry. The windows in side of the north aisle, and the west window of the nave are Decorated. There are Perpendicular windows in the south aisle, in the clerestory, and at the west end of the north aisle. The south porch and the north doorway are also Perpendicular.^[4]

Interior

The north arcade, other than the easternmost arch, is Norman, dating from the early 12th century. It consists of round arches carried on circular piers, with circular capitals. The north tower arch is late Norman, with scalloped capitals. The northwest buttress of the tower, which was added in the 15th century, projects inside the church forming a round-headed niche, known as the 'seat of penitence'. The two-bay arcade to the west of the tower dates from the middle of the 13th century. It is carried on octagonal piers with capitals carved with heads and leaves, and a depiction of "two dragons nibbling a human head".^[4] The chancel arch and the two arches leading into the north chapel are Decorated, and the arch into the south chapel is Perpendicular. The nave roof is also Perpendicular, and the chancel has a hammerbeam roof.^[4]

The font is Norman, shaped like a tub, and carved with arcades. There is a second font, which is circular, and possibly also Norman. The pulpit is Jacobean, and is carved with rosettes under arcading. The altar rail dates from about 1912, it is in Arts and Crafts style, and was made by F. Waldo Guy, brother of the vicar of the church at that time. In the west arch of the north chapel is the dado of a late medieval screen. On the walls of the nave is a scheme of paintings dating from about 1200, including a frieze of fighting knights, under which is painting depicting the martyrdom of Saint Margaret of Antioch. Between the windows of the clerestory, dating from the 15th century, are paintings of saints or apostles.^[4]

The stained glass in the east window dates from 1858, is by Frederick Preedy, and depicts the Te Deum. In the north wall of the north chapel (which in 2014 has been converted into a vestry^[6]) is 16th-century glass that has been re-set, including a female head, and angel and vines. The window in the east window of the south chapel, dating from about 1849, is by David Evans, and is based on Raphael's Transfiguration. There are two windows by Hardman; one in the tower depicting Doubting Thomas, and another in the north aisle. In the north chapel is a window of 1879 by W. G. Taylor depicting the Good Shepherd, and elsewhere are two windows from the 1930s in Arts and Crafts style by A. J. Davies.

The oldest monument in the church is a carved slab to Richard Spicer, who died in 1448 and his wife. The monument to Sir Robert Broke, who died in 1558, and his two wives is in alabaster with three recumbent effigies on a tomb-chest, and children standing around the sides. There are also two incised slabs, one to William Gatacre, who died in 1577, and the other to Francis Gatacre, who died in 1599; all these monuments are in the south chapel.^[4] Preserved here is a battlefield marker cross from the grave in France of Captain E.G. Gatacre, Duke of Wellington's Regiment (killed in World War I 1916).^[7]

The parish war memorial consists of a series of sandstone panels between carved arches in the west end of the church, initially to 30 men who died in World War I with the names from World War II added, while the south porch contains another set of stone panels listing all men from the parish who served in the first war, indicating with stars 42 of the men that were wounded.^[7] The latter was built into the wall by Stephen Pickerell, engraved by James Summerell, and erected over 1921–22, according to an accompanying 191-word inscription, claimed to be the longest on a Shropshire war memorial.^[8]

The two-manual pipe organ was made in 1906 by J. W. Walker, and rebuilt in 1964 by W. Hawkins.^[9] There is a ring of eight bells. The oldest are two bells cast in 1703 by Abraham Rudhall I, followed by a single bell by Thomas Rudhall in 1769. Another single bell is dated 1877 and is by John Taylor and Company. The last four bells were cast in 1929 by Gillett and Johnston.^[10]

• Interior of All Saints church, Claverley
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  Medieval wall paintings in All Saints church.
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  More of the sequence of medieval wall paintings in All saints church.
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  Tombstone of William Gatacre (1499-1577) and Eleanor Mytton, now mounted on wall of All Saints church.
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  Tombstone of Francis Gatacre (died 1599) and Elizabeth Swynnerton, daughter of Humphrey Swynnerton. The stone is now mounted on a wall in the south chapel of All Saints church.
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  Chest tomb of Robert Broke, Speaker of the House of Commons in 1554, and his wives: Anne Waring and Dorothy Gatacre, daughter of William Gatacre.
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  Effigies of Sir Robert Broke, Anne Waring, his first wife, and Dorothy Gatacre, his second wife.
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  Anne Waring, first wife of Robert Broke
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  Dorothy Gatacre, second wife of Robert Broke
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  Robert Broke and his first wife, Anne, with their arms.
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  Robert Broke and Anne Waring with children.
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  More children of Robert Broke.
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  Date of death of Robert Broke, 6 January 1558. His inquisition post mortem gives 5 January.
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  Lion at the feet of Robert Broke effigy.
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  Memorial to Sir William Forbes Gatacre, a distinguished Victorian soldier of the Gatacre family of Claverley parish, although born near Stirling.