Joseph Klein (born 1962 in Los Angeles, California) is an American composer, conductor,[1] and educator. He has taught at the University of North Texas College of Music since 1992, where he is currently Distinguished Teaching Professor and Chair of Composition Studies.

Klein's work has been recognized by the National Endowment for the Arts,[2] the American Music Center, the American Composers Forum, the Gaudeamus Foundation, Meet the Composer, the International Society for Contemporary Music,[3] and the American Society of Composers, Authors, and Publishers.[4] He has collaborated with the International Contemporary Ensemble,[5] Pittsburgh New Music Ensemble, Locrian Chamber Players, Voices of Change, Orchestra 2001,[6] and numerous solo artists including vocalist Joan La Barbara, flutist Helen Bledsoe, cellist Madeleine Shapiro, and glass harmonica player Thomas Bloch.

Education

Klein studied microbiology and music composition at California State Polytechnic University,[7] Pomona, where he received a B.A. in Music in 1984. He subsequently studied composition with Robert Erickson and Roger Reynolds at the University of California, San Diego (M.A. in Music Composition, 1986), and with Harvey Sollberger and Claude Baker at Indiana University Jacobs School of Music, where he received a D.Mus. in Composition in 1991, with minors in music theory and art history.

Music

Klein's creative output comprises solo, chamber, and large ensemble works, including instrumental, vocal, electroacoustic, and intermedia compositions. His music reflects an ongoing interest in processes drawn from sources such as fractal geometry, chaos theory, and systems theory, often inspired by natural phenomena.[8] Klein frequently incorporates theatrical elements in his work, either as an extra-musical feature or as an organic extension of the musical narrative. Recent works, most notably the cycle of nineteen works collectively titled An Unaware Cosmos (2012-2018), explore modular, recombinant, and non-linear formal paradigms.

Literary influences include Franz Kafka, Elias Canetti, Alice Fulton,[9] W.S. Merwin, Milan Kundera, and Christina Rossetti.[10] In particular, Canetti's writings Earwitness (Der Ohrenzeuge, 1974) and Crowds and Power (Masse und Macht, 1960) have inspired over twenty solo instrumental and open-form chamber works composed since 1997.[11]

Musical influences include Edgard Varèse, György Ligeti, Olivier Messiaen, and Morton Feldman.[12] He also specializes in the music of Frank Zappa,[13] and has taught courses,[14][15] organized performances, given interviews,[16] and presented lectures on Zappa's life and work.

Selected works

Large ensemble works

  • March Transforms — a deconstruction of Sousa's "Stars and Stripes Forever" for wind ensemble (1986; rev. 1993)[17]
  • Pathways: Opposing Forces for solo trombone and chamber orchestra (1993)
  • Pathways: Revolution for solo percussion and chamber orchestra (1993/95)
  • Pathways: Interior Shadows for solo soprano saxophone and chamber orchestra (1993/95)
  • the road in its unfoldings meta-passacaglia for wind symphony (1996-97)
  • Zwei Parabeln nach Franz Kafka for narrator, mixed choir, and computer music (2006)

Chamber music

  • IcarUS At thE caBARet VoLtairE: parT I (tHe RENdeZVOus) for two guitarists (1985)[18]
  • Parallaxes for four trombones (1988)
  • Occam's Razor seven studies for ten players (1994/99)
  • Interstices for flute/piccolo, soprano/tenor saxophone, and percussion (2013-14)[19]
  • An Unaware Cosmos modular work for multiple soloists and chamber ensembles (2012-18)
  • Canetti-menagerie open-form work after Elias Canetti, for 5 to 8 players (2015)
  • Recombinant for clarinet, violin, and piano (2019)

Solo works

  • Der Leichenschleicher for solo contrabass (1997)
  • Die Tischtuchtolle for solo violin (1997)
  • Die Silbenreine for solo glass harmonica (2000)
  • Der Ohrenzeuge for solo bass flute (2001)
  • Die Königskünderin for solo trumpet (2006)
  • Die Sternklare for solo percussion (2006)[20]
  • Der Schönheitsmolch for solo bass saxophone (2008)
  • Der Hinterbringer for solo piccolo (2013)
  • Der Gottprotz for solo organ (2014)
  • Die Schadhafte for solo violoncello (2015)[21]
  • Der Saus und Braus for solo piano (2017)[22]
  • Chain of Circumstances modular work for solo piano or piano four hands with optional live electronics (2020)[23][24]

Electronic and intermedia works

  • Goblin Market for trombonist, pianist, and intermedia environment (1993)
  • Dog (after W.S. Merwin) for female voice, bassoon, and intermedia (1997)
  • Leviathan (after W.S. Merwin) for male voice, bass trombone, and intermedia (1998)[25]
  • Three Poems from Felt (after Alice Fulton) — poetry reading with computer music (2005)[26]
  • Cornell Set — poetry reading with computer music (2011)[27]

Selected discography

  • Pathways: New Music for Trombone, Mark MCD-2645 (1998); Andrew Glendening, trombone.
  • CEMISonics: The Threshold of Sound, Centaur CRC-2407, Consortium to Distribute Computer Music, Vol. 27 (1998).[28]
  • Equipoise: Music of Joseph Klein and William Kleinsasser, Innova 611 (2005).[29][30]
  • Facets 3: New American Music for Trumpet, Mark MCD-2645 (May 2009); John Holt, trumpet.
  • Music from the University of North Texas Center for Experimental Music and Intermedia, Centaur CRC-3219, Consortium to Distribute Computer Music, Vol. 39 (2012).
  • Improbable Encounters: Music of Joseph Klein, Innova 873 (2014).[31][32]

References

  1. ↑ Anderson, Drake (2020-09-01). "(Per)forming Open Form: A Case Study with Earle Brown's Novara". Journal of the Society for Music Theory. 26 (3). Retrieved 2022-03-20.
  2. ↑ National Endowment for the Arts Annual Report 1992 (PDF) (Report). 1992. Retrieved 2022-03-20.
  3. ↑ "Joseph Klein catalog entry". International Society of Contemporary Music (ISCM). Retrieved 2022-03-20.
  4. ↑ "Young Composers Award Recipients, 1979-2013" (PDF). Retrieved 2022-03-20.
  5. ↑ "ICE at the University of North Texas". International Contemporary Ensemble. 26 October 2018. Retrieved 2022-03-20.
  6. ↑ "Orchestra 2001 Celebrates Frank Zappa in Philadelphia". European American Music/Schott Music Group. 2018-03-31. Retrieved 2022-03-20.
  7. ↑ "Music Composer and CPP Alumnus Returns to Campus". Polycentric. 2019-04-03. Retrieved 2022-03-20.
  8. ↑ On Growth and Form 100 programme (Report). Dundee, UK: D'Arcy Wentworth Thompson Centenary Conference. 2017-10-01. Retrieved 2022-01-15.
  9. ↑ Kay, Les (2010-10-01). "An Interview with Alice Fulton". Memorious: A Journal of New Verse and Fiction (15). Retrieved 2022-03-20.
  10. ↑ Christina Rossetti in Music Project (Report). University of Ottawa. 2017. Retrieved 2022-03-20.
  11. ↑ McNutt, Elizabeth (2016-09-15). "Trailblazer: Joseph Klein". New Music Pioneer. Retrieved 2022-03-20.
  12. ↑ Johnson, Steven (1994). "Rothko Chapel and Rothko's Chapel" (PDF). Perspectives of New Music. 32 (2): 6–53. doi:10.2307/833598. JSTOR 833598. Retrieved 2022-03-20.
  13. ↑ "Show Notes: Zappa's Radical Classical Roots". Frank Zappa. Retrieved 2022-03-20.
  14. ↑ Melson, Alan (2008-01-01). "Zappa University". Art & Seek (KERA-FM). Retrieved 2022-03-20.
  15. ↑ Strowe, Jeff (2018-02-16). "Time to Head Back to School: UNT Offers a Class on the Music of Frank Zappa". Dallas Observer. Retrieved 2022-03-20.
  16. ↑ Ogren, Jayce; Klein, Joseph (2018-04-23). "On Frank Zappa's 'Relentless Pursuit of Interesting Sounds:' An Interview with Orchestra 2001's Jayce Ogren and Zappa Expert Joseph Klein". The Pew Center for Arts & Heritage. Retrieved 2022-03-20.
  17. ↑ Klein, Joseph. "March Transforms". Old Dominion University Libraries Digital Collections. Retrieved 2022-03-20.
  18. ↑ Wager, Gregg (1988-11-14). "Music and Dance Reviews: Elgart-Yates Guitar Duo in Beverly Hills Concert". Los Angeles Times. Retrieved 2022-03-20.
  19. ↑ Klein, Joseph. "Interstices". UCLA Music Library Contemporary Music Score Collection. Retrieved 2022-03-20.
  20. ↑ Cheng, Sherry (2018-11-18). "Loop38 and Texas New Music Ensemble Stir Up Houston's Contemporary Music Scene". Art and Culture Texas. Retrieved 2022-03-20.
  21. ↑ Klein, Joseph. "Die Schadhafte" (PDF). UCLA Music Library Contemporary Music Score Collection. Retrieved 2022-03-20.
  22. ↑ "Kaleidoscope MusArt Presents Gaia: Piano Music and Art". UCLA Music Library Contemporary Music Score Collection. 2019-04-29. Retrieved 2022-03-20.
  23. ↑ Klein, Joseph (2021). "Chain of Circumstances". Apricity Magazine. Retrieved 2022-03-20.
  24. ↑ Fila, Jan (2021-10-16). "Sára Medková na Americkém jaru hrála náročný program bez sebemenšího zaváhání". Opera Plus. Retrieved 2022-03-20.
  25. ↑ Phelps, Jim (2005). "Electronic Music Midwest Festival". Computer Music Journal. 29 (2): 80–81. doi:10.1162/comj.2005.29.2.80. S2CID 43668980. Retrieved 2022-03-20.
  26. ↑ "A Musical Evening of Poetry Featuring Composer Joseph Klein". CornellCast. 2011-07-08. Retrieved 2022-03-20.
  27. ↑ Lennon, J. Robert (2011-04-14). "Joseph Klein" (PDF). Writers at Cornell. Retrieved 2022-03-20.
  28. ↑ Lanza, Alcides (2000). "CEMIsonics: The Threshold of Sound". Computer Music Journal. JSTOR 3681866. Retrieved 2022-03-20.
  29. ↑ "Equipoise". Innova Records 661. 2006. Retrieved 2022-03-20.
  30. ↑ Morton, Brian. "Joseph Klein/William Kleinsasser: Equipoise". The Wire (262): 63. Retrieved 2022-03-20.
  31. ↑ "Improbable Encounters". Innova Records. 2014. Retrieved 2022-03-20.
  32. ↑ Horvi, Vladimir Horvat (2014-03-04). "Joseph Klein: Improbable Encounters". Terapija. Retrieved 2022-03-20.
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