Lumen Naturae: Visions of the Abstract in Art and Mathematics is a book on connections between contemporary art, on the one hand, and mathematics and theoretical physics, on the other. It is written by Matilde Marcolli, and published by the MIT Press in 2020.

Background

The author, Matilde Marcolli, is an Italian mathematical physicist who describes herself as having grown up "among art critics and art historians." The book had its origin in public lectures given by Marcolli, at a bookshop near the California Institute of Technology, where she works as a professor.[1] It aims "to explain modern science to the artists and to enlighten the art for scientists".[2]

Contents

Lumen Naturae overviews many recent developments in mathematics, physics, and art, finding in many cases "fluid analogies" rather than more direct correspondences.[1] Reproductions of nearly 250 artworks are included,[3][4] together with the author's interpretation of these works and their connections to the scientific topics she discusses. The book's focus is on these works themselves, and not on the lives of the artists who created them.[2]

After an introductory chapter, Lumen Naturae is organized into ten topic-specific chapters:[2][4][5]

Audience and reception

Stephan Ramon Garcia describes Lumen Naturae as difficult to categorize: "too mathematical to be an art book or a popular-science book" but going "too deeply into art, particularly modern and contemporary art, to be a mathematical book".[4] Its intended audience is "scientifically minded people", and it includes technical material about advanced geometry, probability theory, quantum theory, relativity theory, and the like.[3] Readers are encouraged to read what they can, and skip the rest;[1] reviewer Victor Pambuccian writes that it is "likely to have something very unexpected to say to any reader, regardless of expertise",[6] and Garcia calls it "ideal for someone with a basic knowledge of art, art history, physics, philosophy, and/or mathematics".[4]

Reviewer Paul Campbell praises Lumen Naturae as "extraordinary, fascinating, and astonishing", particularly calling out the wide breadth of topics that it covers, and the many references to art and art theory that it provides for greater depth of coverage of its topics.[3] Pambuccian calls it "the most comprehensive study of the relations between the visual arts and mathematics ever written".[6]

Lumen Naturae won the 2021 PROSE Award for Mathematics.[7]

Lumen Naturae is not the only book highlighting the connections between mathematics and art. Reviewer Paul McRae suggests as additional examples The Fourth Dimension and Non-Euclidean Geometry in Modern Art by Linda Dalrymple Henderson (1983), and Mathematics + Art: A Cultural History by Lynn Gamwell (2016).[5]

References

  1. 1 2 3 4 Saunders, Peter (2021), "Reviews: Lumen Naturae" (PDF), Newsletter of the London Mathematical Society, 2021 (492): 43–44, Zbl 1478.00014
  2. 1 2 3 4 5 6 7 8 9 10 Bultheel, Adhemar (August 31, 2020), Review of Lumen Naturae, European Mathematical Society
  3. 1 2 3 Campbell, Paul J. (January 2021), "Reviews", Mathematics Magazine, 94 (1): 79–80, doi:10.1080/0025570x.2021.1850138, Zbl 1464.00005
  4. 1 2 3 4 Garcia, Stephan Ramon (September 2021), "AMS Bookshelf" (PDF), Notices of the American Mathematical Society, 68 (8): 1348
  5. 1 2 McRae, Alan S., "Review of Lumen Naturae", MathSciNet, MR 4233978
  6. 1 2 3 4 Pambuccian, Victor V., "Review of Lumen Naturae", zbMATH, Zbl 1460.00030
  7. ↑ "2021 award winners", PROSE Awards, Association of American Publishers, retrieved 2022-12-19
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