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Pech Merle
Prehistoric cave art
Map showing the location of Pech Merle
Map showing the location of Pech Merle
LocationLot Department, Midi-Pyrénées, France
Coordinates44°30′27″N 1°38′40″E / 44.5074288°N 1.6443131°E / 44.5074288; 1.6443131

Pech Merle is a cave which opens onto a hillside at Cabrerets in the Lot département of the Occitania region in France, about 32 km by road east of Cahors. It is one of the few prehistoric cave painting sites in France that remain open to the general public. Extending over 2 kilometres over two levels, of which only 1,200 m (3,900 ft) are open to the public,[2] are caverns, wells and sloping tunnels, the walls of which are painted with dramatic murals dating from the Gravettian culture (some 25,000 years BC). Some of the paintings and engravings, however, may date from the later Magdalenian era (16,000 years BC).

This cave was created over 2 million years ago by an underground river, cutting channels which were later used by humans for shelter and eventually for mural painting. The galleries are mostly dry, 10 meters wide on average. The height under the vault is between 5 and 10 meters high.

The cave art located in the deeper areas of the cave was discovered in 1922 by Marthe David, age 13; her brother Andre David, age 16 and Henri Dutetre, age 15.The three teenagers had been exploring the cave for two years. Like other children of the area, these three had been encouraged and assisted in their exploration by Father Amedee Lemozi, the curate of Cabrerets and an amateur archaeologist who had discovered other cave paintings in the region.[3]

The walls of seven of the chambers at Pech Merle have fresh, lifelike images of woolly mammoth,[4] spotted horses,[5] single colour horses, bovids, reindeer, handprints,[6] and some humans. Footprints of children, preserved in what was once clay, have been found more than 800 m (2,600 ft) underground. In 2013 the Tracking in Caves-project tested experience based reading of prehistoric footprints by specialised trackers of Ju/'hoansi San with great success.[7][8] Within a 10 km (6.2 mi) radius of the site are ten other caves with prehistoric art of the Upper Palaeolithic period, but none of these are open to the public.

During the Ice Age the caves were very probably used as places of refuge by prehistoric peoples when the area had an Arctic climate, very cold temperatures, and native animal species very different from those of the present day. It is supposed that, at some point in the past, rain and sliding earth covered the cave entrances with an airtight seal until the 20th century.

Experimental reconstruction work by French archaeologist Michel Lorblanchet has suggested that the application of the paint for some of the paintings was probably by means of a delicate spitting technique.[9][10]

Replica of horses and hands cave painting displayed in the Brno museum

The cave at Pech Merle has been open to the public since 1926.[11] Visiting groups are limited in size and number so as not to destroy the delicate artwork with the excessive humidity, heat and carbon dioxide produced by breathing.

Dapple horses of Pech Merle

The paintings "Dappled Horses of Pech Merle", approximately 25,000 years old, depict spotted horses that look remarkably similar to the leopard pattern common in modern Appaloosas. Archaeologists have debated whether the artists were painting real horses they had observed or whether the spotting had some symbolic meaning. A 2011 study using the DNA of ancient horses, however, found that the leopard complex, which is involved in leopard spotting, was present, and concluded that the cave painters most likely did see real spotted horses.[5]

Prehistoric signatures of Pech Merle

A well-preserved image of a hand was also found in the cave. The "signature" is approximately 18,000 years b.c. According to the thinner wrist, it is probably a female hand. Depictions of hands have been discovered in many prehistoric caves. The painter put her hand on the wall and sprayed it with paint.

References

  1. ↑ Heslewood, Juliet (1993). Chapters from the history of painting. London: Belithia Press Limited. pp. 4–5. ISBN 80-85871-53-X.
  2. ↑ Michel Lorblanchet, Pech-Merle, Luzech, Boissor, 2006, 43 p., p. 32-38.
  3. ↑ Lawson, Andrew J. (2012). Painted Caves: Palaeolithic Rock Art in Western Europe. Oxford: Oxford University Press. pp. 373–374. ISBN 978-0-19-969822-6.
  4. ↑ "Mammoth, Pech Merle". Retrieved 2012-05-07.
  5. 1 2 Pruvost, M.; Bellone, R.; Benecke, N.; Sandoval-Castellanos, E.; Cieslak, M.; Kuznetsova, T.; Morales-Muniz, A.; O'Connor, T.; Reissmann, M.; Hofreiter, M.; Ludwig, A. (7 November 2011). "Genotypes of predomestic horses match phenotypes painted in Paleolithic works of cave art". Proceedings of the National Academy of Sciences. 108 (46): 18626–18630. doi:10.1073/pnas.1108982108. PMC 3219153. PMID 22065780.
  6. ↑ Adams, Laurie. Art Across Time (4th ed.). Mc-Graw Hill. p. 34.
  7. ↑ "'Tracking in caves': On the trail of pre-historic humans -- ScienceDaily". sciencedaily. Retrieved February 4, 2017.
  8. ↑ "project – Tracking in Caves". Tracking-in-caves-online.de. Retrieved February 4, 2017.
  9. ↑ Lorblanchet, Michel (1991). "Spitting images: Replicating the spotted horses of Pech Merle". Archaeology. 44 (6): 24–31. ISSN 0003-8113.
  10. ↑ "In Search of Human Origins – Part Three". Nova. 17 June 1997. PBS. Transcript. Retrieved 17 May 2013.
  11. ↑ "Presentation". Centre de Prehistoire du Pech Merle. Archived from the original on 27 June 2013. Retrieved 17 May 2013.
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