Pre-opening

This pre-opening format was changed slightly each year during the rest of the show's CBS run, but followed this basic format.

Instead of a traditional opening title card, announcer Art Gilmore would intone, “From Television City in Hollywood,” and Skelton would perform a brief comedic blackout sketch, ending with the show's resident vocal group (the Skeltones) singing the words "The Red Skelton Hour" (beginning in the 1964–65 season, Skelton would simply stand alone, smiling and waving at the camera, spotlighted on a darkened stage as the shot zoomed in (dressed in some seasons as one of his various characters), as Gilmore would announce the title, and (in later seasons) the singers sang the title), leading into a brief musical "song and dance" number (about 90 seconds long) performed in lyrical song by several smiling male and female dancers as they danced and moved cheerfully across the large stage. This introductory number would have a certain visual theme, such as gardening, college football, the signs of the zodiac, etc., and the set, the dancers’ costumes, and the lyrics of the dancers’ song would reflect the theme. After the dancers sang the first two stanzas, they continued the song, singing “our guest star…” followed by the guest's name, matched with a camera shot of the guest (most evenings there was at least one major celebrity guest as well as a musical guest); “David Rose and his orchestra,” with a shot of Rose; the singers (originally the Modernaires; the Skel-tones by 1963; by the fall of 1964 as the Alan Copeland Singers (Copeland, the credited vocal arranger of the show, was originally a member of the Modernaires); and by the 1969–70 season as The Jimmy Joyce Singers and the dancers (introduced after 1964 as the Tom Hansen Dancers, after the show's credited choreographer); and finally introducing Skelton as the star of the show; the assembled dancers looking "stage left" anticipating Skelton's entrance on stage to begin his opening monologue.

For the final CBS season (1969–70), a cold open blackout sketch was added, featuring the antics of two alien moon men, green in color, performing comedic antics on the moon, as the song Mah Nà Mah Nà was playing. This led immediately into the dancers' routine.

Opening monologue

After the opening song-and-dance routine, Skelton opened with a monologue. The monologue often lapsed into character humor, including "Gertrude and Heathcliff, the Two Seagulls", which he performed by crossing his eyes and sticking his thumbs into his armpits for "wings". (Johnny Carson, who was a writer on this program for a period, reminisced about writing for this spot.) Skelton performed the "Doughnut Dunkers," one of his earliest signature routines, in a 1964 episode during this monologue.

Guest stars

This was followed by a guest-star performance, often a singer. Musical accompaniment was generally provided by the show's orchestra and led by its well-known bandleader, David Rose. He was also the composer of the show's familiar signature tune, "Holiday for Strings"^[1](U.S. Copyright Registration Date 26-3-1942). The guest then appeared with Skelton in a comedy sketch. In other episodes, the Tom Hansen Dancers would perform another song-and-dance number, sometimes joined by the guest star.

Among the notable guest stars on the program were western film stars Amanda Blake and Roscoe Ates, who played a sheriff in the 1961 episode "Candid Clem". John Wayne, Jack Benny, Phyllis Diller, George Raft, Martha Raye, Robert Vaughn, Audrey Meadows, Carol Lawrence, Shirley Bassey, Godfrey Cambridge and Carol Channing also made appearances. Popular television actress Phyllis Avery appeared twice in "Clem's Watermelons" (1961) and "Nothing But the Tooth" (1962). Billy Gray, who played Bud Anderson Jr. on "Father Knows Best", guest starred after the former show ended its six-year run.

Comedy sketches

Skelton as Deadeye with actress Terry Moore, 1959.

The sketches were usually built around one of Red's many characters, including "Deadeye", an incredibly inept sheriff in the Old West; "San Fernando Red", a shady real estate agent (named for the San Fernando Valley, which was still a largely rural area when the show began); "Cauliflower McPugg", a punchdrunk boxer, "George Appleby", a hen-pecked husband, "Junior, the Mean Widdle Kid" (whose trademark line was, "If l dood it, l get a whippin'.........l DOOD IT!"), "Clem Kadiddlehopper", a hick who was identified in at least one sketch as being from Cornpone County, Tennessee, and "Freddie the Freeloader". Freddie, regarded by many as Skelton's signature character, was a bum with a heart of gold, who was played by Skelton (and in one episode in 1961, by Ed Sullivan) in clown makeup reminiscent of Emmett Kelly but somehow not as sad. Freddie could be either a speaking character or totally pantomimed. While many of Skelton's other characters originated on his radio shows, Freddie was created for television in 1952.^[17] Skelton's father, Joseph, who died two months before his youngest son, Richard, was born, was once a clown for the Hagenbeck-Wallace Circus.^[18] Skelton, who had spent some time working for the same circus as a youth, copied his father's clown makeup for Freddie.^[17] During the sketches, Skelton and the celebrity guest star would sometimes break character and make good-natured wisecracks at one another.

In its later years, the show generally finished with "The Silent Spot", with Skelton pantomiming Freddie or another silent character. (It was hard for some younger viewers to accept that such an overwhelmingly visual, physical performer had once been a staple of radio.) After "The Silent Spot", the show closed with Red looking into the camera and saying sincerely, "Good night and may God bless."^[18]

The Tom Hansen Dancers would return in their costumes from the pre-opening song-and-dance number and invite the audience to join the show the following week, singing to the tune of "Holiday for Strings" as the closing credits appeared.

While the vast majority of Skelton's skits were comedy, there were a few serious segments. One memorable segment came in 1969, when Skelton performed a self-written monologue about the Pledge of Allegiance, providing commentary on the meaning of each phrase of the Pledge. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single recording by Columbia Records.^[19]

Skelton television characters

• 
  Junior
• 
  Clem Kadiddlehopper
• 
  San Fernando Red
• 
  George Appleby
• 
  Freddie the Freeloader
• 
  Cauliflower McPugg

The move to NBC: 1970

At least in part due to Skelton's iconic status, the program was picked up by NBC in late 1970.^[20] However, the program that aired was quite different from the one that Skelton's CBS audience was used to seeing. The new set was dark, devoid of the bright and colorful backdrops that viewers had seen on CBS. The show was cut back to its original half-hour length and it was moved from Tuesday to Monday nights.

But perhaps the biggest change was that the show began to incorporate "regulars" for the first time along with Skelton, Rose, and Rose's orchestra. A repertory company of young, comic actors and actresses was added as well as veteran performers such as Eve McVeagh and The Burgundy Street Singers (previously seen after an abortive comeback on network television by 1950s folk singing star Jimmie Rodgers on ABC two years earlier.)

The new format never really worked; the audience sensed that there was little chemistry between Skelton and his repertory company. The program ended in March 1971, although selected programs from this final season were rerun on NBC on Sunday nights during mid-1971 by Procter & Gamble, so it could be said that Skelton's network television career had ended exactly where it had begun.^[18][20]