
Diego Rivera with Xoloitzcuintle dog
This is a list of works by Diego Rivera (8 December 1886, Guanajuato – 24 November 1957, Mexico City). He was a Modern painter, famous for his social realist murals. This list is split into two distinct era's in Rivera's work, the formative years between 1886 until 1920; and the social realism years between 1921 until his death in 1957.
Rivera is also known for his marriage to Frida Kahlo (6 July 1907, Mexico City – 13 July 1954, Mexico City), also a celebrated Mexican painter.[1]
Paintings By Rivera
1886–1912 Formative years
| Image | Title (English) | Year | Location | Dimensions (cm) | Medium |
|---|---|---|---|---|---|
| Classical Head | 1898 | 48.5 x 39.2 | |||
| The Threshing Floor | 1904 | Museo Casa Diego Rivera, Guanajuato, Mexico | 100 x 114.6 | ||
| Head Of A Goat | 1905 | Rafael Coronel Collection, Cuernavaca, Mexico | 9.5 x 12.5 | ||
| Night Scene in Avila | 1907 | Dolores Olmedo Collection, Mexico City | |||
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Self-Portrait | 1907 | Dolores Olmedo Collection, Mexico City | ||
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Diego Rivera - Avila Morning (The Ambles Valley) | 1908 | Museo Nacional de Arte (MUNAL), Mexico City | 97 x 123 | |
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Street in Ávila (Ávila Landscape) | 1908 | Museo Nacional de Arte (MUNAL), Mexico City | 129 x 141 | |
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House over the Bridge | 1909 | Museo Nacional de Arte (MUNAL), Mexico City | 147 x 120 | |
| Notre Dame de Paris | 1909 | 113 x 144 | |||
| Portrait of Angelina Beloff | 1909 | ||||
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El Picador | 1909 | Dolores Olmedo Collection, Mexico City | 177 x 113 | |
| Breton Girl | 1910 | Museo Casa Diego Rivera, Guanajuato, Mexico | 80 x 100 | ||
| Head Of A Breton Woman | 1910 | Museo Casa Diego Rivera, Guanajuato, Mexico | 141 x 129 | ||
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Diego Rivera - After the Storm (The Grounded Ship) | 1910 | Museo Nacional de Arte (MUNAL), Mexico City | 120.7 x 146.7 | |
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Landscape | 1911 | |||
1912–1913 Pre-cubism
| Image | Title (English) | Year | Location | Dimensions (cm) | Medium |
|---|---|---|---|---|---|
| View Of Toledo | 1912 | 91 x 112 | |||
| Landscape at Toledo | 1913 | Pinacoteca Diego Rivera, Veracruz, Mexico | 46 x 32 | ||
| Portrait Of Oscar Miestchaninoff | 1913 | Gobierno del Estado de Veracruz, Pinacoteca Diego Rivera, Xalapa, Veracruz, Mexico | 120 x 147 | ||
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Portrait Of The Adolfo Best Maugard | 1913 | Museo Nacional de Arte, Mexico | 161.5 x 227.5 | |
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The Sun Breaking through the Mist | 1913 | Dolores Olmedo Collection, Mexico City, | 83.5 x 59 | |
| The Adoration Of The Virgin | 1913 | ||||
| Still Life | 1913 | Hermitage, St. Petersburg | 84 x 65 | Tempera on canvas | |
1913–1920 Cubism
| Image | Title (English) | Year | Location | Dimensions (cm) | Medium |
|---|---|---|---|---|---|
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Woman At A Well | 1913 | Museo Nacional de Arte (MUNAL), Mexico City | ||
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Portrait of Two Women | 1914 | Arkansas Arts Center, Little Rock | ||
| La Tour Eiffel | 1914 | 92 x 115 | |||
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The Alarm Clock | 1914 | Museo Frida Kahlo, Mexico City | ||
| Sailor at Breakfast | 1914 | 117 x 72 | |||
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Young Man with a Fountain Pen | 1914 | 79.5 x 63.5 | ||
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Portrait of Kawashima and Foujita | 1914 | 78.5 x 74 | ||
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Zapata-style Landscape | 1915 | Museo Nacional de Arte, Mexico | 145 x 125 | |
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Seated Woman (Women with the Body of a Guitar) | 1915 | Museo Frida Kahlo, Mexico City | ||
| Portrait de Martin Luis Guzman | 1915 | 72.3 x 59.3 | |||
| Portrait of Ramon Gomez de la Serna | 1915 | ||||
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El Rastro | 1915 | Dolores Olmedo Collection, Mexico City, | 27.5 x 38.5 | |
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Portrait of Marevna | Art institute of Chicago | 145.7 x 112.7 | ||
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Motherhood Angelina and the Child Diego | 1916 | Museo de Arte Carrillo Gil, Mexico City | 132 x 86 | |
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Urban Landscape | 1916 | Museo Frida Kahlo, Mexico City | ||
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Still Life with Tulips | 1916 | 67.8 x 53.7 | ||
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Still Life with Utensils | 1917 | Dolores Olmedo Collection, Mexico City, | 71 x 54 | |
1917-1918 Realism
| Image | Title (English) | Year | Location | Dimensions (cm) | Medium |
|---|---|---|---|---|---|
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Knife and Fruit in Front of the Window | 1917 | Dolores Olmedo Collection, Mexico City, | 91.8 x 92.4 | |
| Still Life with Ricer also known as Still Life with Garlic Press | 1918 | ||||
| The Outskirts Of Paris | 1918 | ||||
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The Mathematician | 1918 | Dolores Olmedo Collection, Mexico City, |
1921–1957 Social Realism
| Image | Title (English) | Year | Location | Dimensions (cm) | Medium |
|---|---|---|---|---|---|
| Creation | 1922–1923 | San Ildefonso College, Mexico City, | Fresco, Gold leaf | ||
| Bather of Tehuantepec | 1923 | 63 x 52 | Oil on Canvas | ||
| Entry into the Mine | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | 474 x 366 | Fresco | |
| Exit from the Mine | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| The Embrace | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| Tehuana Women | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | 476 x 214 | Fresco | |
| The Liberation of The Peon | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| The New School | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| Good Friday on the Santa Anita Canal | 1923 | 456 x 356 | Fresco | ||
| The Sugar Mill | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | 482 x 366 | Fresco | |
| The Festival of The Distribution of The Land | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| The Festival of The First of May | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| The Market | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| The Maize Festival | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | 438 x 239 | Fresco | |
| The Sacrificial Offering Day of the Dead | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | 415 x 237 | Fresco | |
| Alliance of the Peasant and the Industrial Worker | 1924 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| The Day of the Dead | 1924 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| Partition of the Land. | 1924 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| Flower Festival | 1925 | Los Angeles County Museum of Art (LACMA) | 147.3 x 120.7 | Fresco | |
| The Exploiters | 1926 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| The Abundant Earth | 1926 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| Revelation of the Way | 1926 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| Triumph of the Revolution | 1926 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| The Organization of The Agrarian Movement | 1926 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| The Mechanization of The Country | 1926 | Secretariat of Public Education Main Headquarters, Mexico City | Fresco | ||
| The Land's Bounty Rightfully Possessed | 1926 | Chapingo Autonomous University, Texcoco, Mexico | Fresco | ||
| Indian Boy and Indian Woman with Corn Stalks | 1926-27 | Chapingo Autonomous University, Texcoco, Mexico | |||
| Subterranean Forces | 1926-27 | Chapingo Autonomous University, Texcoco, Mexico | |||
| Maturation | 1926-27 | Chapingo Autonomous University, Texcoco, Mexico | |||
| The Blood of the Revolutionary Martyrs Fertilizing the Earth | 1926-27 | Chapingo Autonomous University, Texcoco, Mexico | 244 x 491 | ||
| The Liberated Earth with The Powers of Nature Controlled by Man | 1926-27 | Chapingo Autonomous University, Texcoco, Mexico | 692 x 598 | ||
| The Perpetual Renewal of the Revolutionary Struggle | 1926-27 | Chapingo Autonomous University, Texcoco, Mexico | 354 x 357 | ||
| Cargadora With Dog | 1927 | Watercolour | |||
| Death of the Capitalist | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | |||
| Night of the Rich | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | |||
| Our Bread | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | |||
| The Learned | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | |||
| The Painter, the Sculptor and the Architect | 1923–1928 | Secretariat of Public Education Main Headquarters, Mexico City | |||
| Wall Street Banquet | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | |||
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The Arsenal | 1928 | Courtyard of the Fiestas, Secretariat of Public Education, Mexico City, Mexico | Fresco | |
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Entering the City | 1930 | Palace of Cortés, Cuernavaca, Mexico | Fresco | |
| My Godfather's Sons (Portrait of Modesto and Jesus Sanchez) | 1930 | Fomento Cultural Banamex, Mexico City | |||
| Zapata's Horse | 1930 | ||||
| Conquest and Revolution | 1930-31 | ||||
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Still Life and Blossoming Almond Trees | 1930-31 | University of California, Berkeley, Stern Hall, Berkeley, California | 100 x 265 | Fresco |
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Allegory of California | 1930-31 | The City Club of San Francisco, Stock Exchange Tower, San Francisco, California | Fresco | |
| Zapata | 1930-31 | The History of Cuernavaca and Morelos | 214 x 89 | ||
| The Making of a Fresco, Showing The Building of a City | 1931 | San Francisco Art Institute, San Francisco, California | Fresco | ||
| Frozen Assets | 1931 | Dolores Olmedo Collection, Mexico City | 188.5 x 239 | ||
| Edsel B. Ford | 1932 | Detroit Institute of Arts, Detroit, Michigan | 125.1 x 97.8 | ||
| Detroit Industry, South Wall | 1932–1933 | Detroit Institute of Arts, Detroit, Michigan | Fresco | ||
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Detroit Industry, North Wall | 1933 | Detroit Institute of Arts, Detroit, Michigan | Fresco | |
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Man at the Crossroads / Man, Controller of the Universe | 1933-34 | Palacio de Bellas Artes, Mexico City | ||
| The Ancient Indian World | 1929 -35 | Palacio Nacional, Mexico City | |||
| The World of Today and Tomorrow | 1929 -35 | Palacio Nacional, Mexico City | |||
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The History of Mexico: From Conquest to the Future (main wall) | 1929 -35 | Palacio Nacional, Mexico City | ||
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The History of Mexico | 1929 -35 | Palacio Nacional, Mexico City | ||
| Delfina and Dimas | 1935 | 24 x 31 | tempera on masonite | ||
| Flower Carrier | 1935 | San Francisco Museum of Modern Art (SFMOMA) | 121.9 x 121.3 | ||
| The Pinole Seller | 1936 | Museo Nacional de Arte (MUNAL), Mexico City | 81.4 x 60.7 | ||
| Indian Woman Spinning / Indigena Tejiendo | 1936 | Phoenix Art Museum, Phoenix, Arizona | 81.3 x 59.7 | ||
| Carnival of Mexican Life. Dictatorship | 1936 | Palacio de Bellas Artes, Mexico City | |||
| Copalli | 1937 | Brooklyn Museum, Brooklyn, New York City, New York | 91.44 x 121.92 | ||
| Portrait of Lupe Marin | 1938 | Museo de Arte Moderno, Mexico City | 171.3 x 122.3 | ||
| Portrait of Dolores Del Rio | 1938 | ||||
| The Lady in White | 1939 | ||||
| Portrait of Madesta and Inesita | 1939 | 99 x 69 | |||
| Dancer Resting | 1939 | Dolores Olmedo Collection, Mexico City | 95 x 166 | ||
| Pan American Unity | 1940 | San Francisco Museum of Modern Art, San Francisco, California (was previously located at City College of San Francisco, Diego Rivera Theater, but moved in 2020) | 670 × 2,260 | Fresco | |
| The Hands of Dr Moore | 1940 | San Diego Museum of Art, San Diego, California | 45.8 x 55.9 | ||
| Portrait of Paulette Goddard | 1940-41 | ||||
| Self-Portrait Dedicated to Irene Rich | 1941 | Smith College Museum of Art (SCMA), Northampton, Massachusetts | 61 x 43 | ||
| Portrait of Carlos Pellicer | 1942 | 55 x 43 | |||
| Portrait of Natasha Zakólkowa Gelman | 1943 | 115 x 153 | |||
| Nude with Calla Lilies | 1944 | 157 x 124 | |||
| The Day of the Dead | 1944 | Museo de Arte Moderno, Mexico City | 91 x 73.5 | ||
| The Milliner. Portrait of Henri de Chatillon | 1944 | ||||
| Portrait of Adalgisa Nery | 1945 | ||||
| Portrait of Cuca Bustamante | 1946 | Museo de Arte Moderno, Mexico City, | 158 x 122.5 | ||
| Portrait of Mrs Elisa Saldivar de Gutierrez Roldan | |||||
| Portrait of Linda Christian | 1947 | ||||
| The Temptations of Saint Anthony | 1947 | Museo Nacional de Arte (MUNAL), Mexico City, | 90 x 110 | ||
| Portrait of an Actress | 1948 | ||||
| Dream of a Sunday Afternoon in Alameda Park | 1948 | Museo Mural Diego Rivera, Mexico City | |||
| Retrato de María Félix | |||||
| Portrait of Evangelina Rivas de De la Chica, The lady from Oaxaca | 1949 | ||||
| Portrait of Senora Dona Evangelina Rivas de LaChica | 1949 | ||||
| Portrait of Ruth Rivera | 1949 | 199 x 100.5 | |||
| Colonisation, 'The Great City of Tenochtitlan' | 1945- 52 | Palacio Nacional, Mexico City, | 971 x 492 | ||
| The Huastec Civilisation | 1950 | Palacio Nacional, Mexico City, | |||
| The Papermakers | 1950 | Palacio Nacional, Mexico City, | |||
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Totonac Civilization | 1950 | Palacio Nacional, Mexico City, | ||
| Pre-Hispanic America | 1950 | ||||
| Figure Symbolizing the African Race | 1951 | ||||
| Figure Symbolizing the Asiatic Race | 1951 | ||||
| The Hands of Nature Offering Water | 1951 | ||||
| Portrait of the Young Girl Elenita Carrillo Flores | 1952 | 55 x 105 | |||
| The Banana Leaf Loader | 1953 | 50 x 40 | |||
| The History of Medicine in Mexico: The People's Demand for Better Health | 1953 | ||||
| Portrait of Sra. Dona Elena Flores de Carrillo | 1953 | 140 x 221.5 | |||
| The Painter's Studio | 1954 | 150 x 178 | |||
| Evening Twilight at Acapulco | 1956 | 30 x 40 | |||
| Portrait of Silvia Pinal | 1956 | ||||
| The Hammock | 1956 | ||||
| May Day Procession in Moscow | 1956 | 135.2 x 108.3 | |||
| Lenin in 1922 | Unknown | ||||
| Sugar Plantation, Tealtenango, Morelos and Indian Slaves in the Gold Mines | Unknown | ||||
| The Architect, Jesus T. Acevedo | Unknown | Museo de Arte Carrillo Gil, Mexico City | |||
| Portrait of Marevna | Unknown | ||||
| The Flower Seller | Unknown |
References
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