Palembang
ꥀꥋꥏꤶꤾꥉꤸ꥓ꤷꥏ
wong Palembang
uwong Pelembang
Total population
3,800,000[1]
Regions with significant populations
 Indonesia (South Sumatra)
Languages
  • Native
  • Palembang
  • Also
Religion
Related ethnic groups

Palembang,[2][3] Palembangs, or Palembangese[4] (Palembang: wong Palembang;[5] wong kito galo)[6] are one of the indigenous Sumatrans native to the southeastern Sumatra regions of Palembang in Indonesia. There are approximately 3,800,000 native Palembang[1] living in regions across Indonesia,[7][8] and there are about 30,000 Palembang diaspora living outside of Indonesia, mainly in Singapore.[9]

Architecture

Traditional houses

Traditionally, the Palembang indigenous traditional houses are having its own characteristics and symbolism that portrayed in architectural form. Each traditional house has its own historical and influences meaning.

Two indigenous Palembang dancers performed in front of the colonial resident office of Palembang in c. 1900s (nowadays transformed as Sultan Mahmud Badaruddin II Museum), this building is inspired by one of the traditional Palembang houses called Cagho Godang.
  • Baghi house
The Baghi house in Palembang archaeological site

Baghi house is one of the traditional Palembang houses that been well-preserved since ancient times, heavily influenced by the tribal Musi architecture. Baghi house can't be separated with the Palembang history, it is considered as one of the prominent native (Musi) architectural in terms of traditional house.

The architectural aspect of Baghi house is depicted on the coat of arms of South Sumatra to represent Palembang as the capital city of South Sumatra and to symbolize the harmony and safety of Palembang city and South Sumatra province in general that been genuinely preserved since ancient times. In 2021, the Baghi house are officially recognized as the Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[10]

  • Cagho Godang house
The 'Cagho Godang house used as the huis of the Resident during the Dutch colonialism era (the jubileum of Queen Wilhelmina event) in Palembang.

Etymologically, the Cagho Godang might refers to the warehouse due to its elongated building shape that looks like warehouse, but probably also might derived from Minangkabau: Gadang, which literally means 'huge' or 'big'. But however, Cagho Godang house of Palembang are different than the well-known Minangkabau's Gadang house.

The shape of this house is like a stage and elongated with a pole as high as 2m. The main material for building this traditional house is wood. The wood used comes from tembesu, unglen, and petanang types of wood. These woods are used because apart from being strong, they are also sturdy. The Cagho Godang traditional house is divided into 3 parts, namely the back part, the middle part, and the front part. The back has a room that functions as an indoor room, kitchen, or bedroom. The middle part has a room that functions as a room for honorable or elderly guests. Meanwhile, the front has a room that is functioned as a place to rest, gather, or be used as a place to hold a feast.

In 2010, the Cagho Godang which is the traditional Palembang type of house are officially recognized as the Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[11]

  • Limas house
Rumah limas of IDR 10000 banknote is now located in Museum Balaputradewa, Palembang

The Limas house are associated with the nobility and other people of high status by the Palembang people.[12] In 2010, the Limas house (Indonesian: Rumah Limas) are officially recognized as the Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[13]

  • Rakit house
The Rakit house in Palembang region of South Sumatra, c. 1850s

The Musi river is one of the veins of South Sumatra, according to the Dutch historical account, in early 19th century, Palembang are also known as 'the Venice of the East' or 'the water city' because more than 100 rivers and its tributary are flowing through the Palembang city. For the Palembang, the existence of rivers serves as a source of food, livelihood, and especially clean water sources. In architecture that has a 'built environment' concept, buildings are always influenced by its environmental conditions. In other words, natural conditions will directly affect human behavior, including in designing the architectural form of the house.

Rakit house alongside the Musi river in Palembang

The Rakit house is the oldest form of traditional house in Palembang, and may have existed way before the existence of the famous Srivijaya empire. The Rakit house is also a hallmark of the community living on the river as the first floating residential dwelling that also known to the Komering community. In 2010, these type of traditional Palembang house are officially recognized as the Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[14]

Cuisine

Culture

The Palembang culture is one of the oldest civilisations and has flourished in Indonesia, especially in the southern hempishere of Sumatra.

Traditional clothes

Aesan Gede is one of the types of Aesan, which is the traditional Palembang ethnic costume
  • Aesan
The native Palembang couple wearing the Aesan traditional costume, c. 1850s-1900s

The Aesan is the traditional native Palembang cultural clothing. Aesan has several types, mainly the Aesan Gede and Aesan Paksangko a.k.a. Aesan Pasangkong. Back in ancient times, Aesan were only worn by the aristocrats or wong jegho (lit.'royal people') of Palembang, but nowadays the common Palembang community (wong jabo) could also wear these traditional costume as the cultural symbol of Palembang ethnic. It is also usually worn during the cultural Palembang ethnic events, including the traditional Palembang wedding ceremonies. In 2021, these traditional Palembang costume are officially recognized as the Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[15]

Traditional dances

  • Gadis Palembang
The performance of traditional Gadis Palembang dance performed by the indigenous Palembang girls in Palembang, c. 1860s

Gadis Palembang is the traditional dance of Palembang people usually performed by the female teenagers.

  • Gending Sriwijaya
The Gending Sriwijaya dance depicted on the 1993 Indonesian stamp

Gending Sriwijaya generally refers to the traditional Javanese-influenced Palembang performance whether it is a song, musical form, as well as the dance performance. Historically, Palembang was the center of Srivijaya empire (Palembang: Kadatuan Sriwijaya), the Gending Sriwijaya dance performance particularly created by the Palembang people to describes the splendor, cultural refinement, glory, and the grandeur of Srivijaya empire that once succeed on dominated much of western maritime Southeast Asia hemisphere region. In 2010, the Gending Sriwijaya are officially recognized as the Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[16]

  • Pagar Pengantin
The Pagar Pengantin dance usually performed in traditional Palembang wedding ceremony

Pagar Pengantin is the traditional Palembang dance usually performed by the female dancers in the traditional cultural Palembang wedding ceremony, this dance is believed by the natives could bring the good luck or good fortune for the newly married couple. It is one of the most common traditional Palembang dances performed in Palembang wedding.

History

The Kedukan Bukit inscription, revealed the history of Srivijaya's founder.

The history of Palembang is inseparable from the history of Palembang itself as the origin place and main cultural center region of Palembang people. Palembang is one of the ancient regions in Southeast Asia that plays significant role especially in trade activities. During early 6th century, Palembang functioned as the capital region of Srivijaya empire. One of the ancient inscriptions found in Palembang mentioned that Dapunta Hyang (the dynastic founder of Srivijaya empire) was originated from Minang regions in western Sumatra hemisphere:

"...marlapas dari Minānga..."
"...originating from the Minangkabau..."

information extracted from the Kedukan Bukit inscription, dates back to 600s CE

According to George Coedes, "in the second half of the 9th century, Java and Sumatra were united under the rule of a Javanese dynasty of Sailendra reigning in Java...and its centre at Palembang."[17]:92 This is probably one of the significant factors why Palembang people had so much Javanese influence elements especially in terms of linguistic, noble system, norms, etc.

Language

The Old Palembang inscription of Telago Batu found in Palembang, dates back to Srivijaya empire era.
The 1981 linguistic guide book of Palembang language, published by the National Linguistic Center of Republic Indonesia.

Palembang, also known as Palembang Malay (Baso Pelémbang), or Musi, is a Malayic language primarily spoken in about two thirds of South Sumatra Province in Indonesia, especially along the Musi River. It consists of two separate but mutually intelligible dialect chains: Musi and Palembang. The urban Palembang dialect is a koiné that emerged in Palembang, the capital city of South Sumatra. It has become a lingua franca throughout major population centers in the province, and is often used polyglossically with Indonesian and other regional languages and dialects in the area. Since parts of South Sumatra used to be under direct Malay and Javanese rule for quite a long time, the speech varieties of Palembang and its surrounding area are significantly influenced by Standard Malay and Javanese, down to their core vocabularies.[18]

Society

Nobility

The gilded copper crown of Palembang displayed at the Asian Art Museum of San Francisco in California, the item might be stolen or taken away from Palembang in c. 1880-1930 C.E.

According to its prominent role, the Palembang people are categorized into two main sociogrouping, the first one is the wong jegho (lit. 'aristocrats'), and the other one is wong jabo (lit. 'commoners'). The noble titles of Palembang are heavily influenced by the Javanese nobility system due to the Javanese royals relationship with the Palembang royals.

Male

  • Ki, Kie, Ke, or Kyai
    • Kimas/Ki Mas, Kiemas/Kie Mas, Kemas, or Kyai Mas, the male noble title with the ancestry line of Kemas Anom Dipati. (figures with this title: Taufiq Kiemas)
    • Ki Gede or Kyai Gede, it is among one of the earliest titles used by Palembang influenced by Javanese royals noble system. In the structure of Javanese society, the title Ki or Kyai is an honorary title given to someone who is considered wise or has aristocratic origins.
    • Kiagus or Kyai Agus.
  • Mas
    • Masagus, the male nobility title.
  • Pangeran
    • Pangeran Adipati, the male nobility title for the crown prince brothers.
    • Pangeran Ratu, the male nobility title for the crown prince.
  • Prabu
    • Prabu Anom.
  • Raden, the male nobility tile.
  • Raja
    • Raja Madang
  • Sang

Female

  • Mas
    • Masayu, the female nobility title.
  • Nyanyu
  • Nyi or Nyai
    • Nyi Gede or Nyai Gede, it is the female honorary title who had aristrocratic origins.
    • Nyimas or Nyai Mas.
  • Raden
    • Raden Ayu, the female (married) nobility title.
  • Ratu
    • Ratu Agung
    • Ratu Gading
    • Ratu Ilir or Ratu Ilèr
    • Ratu Mas
    • Ratu Sepuh
      • Ratu Sepuh Asma
    • Ratu Ulu

Notable people

Ancient figures

Entertainment industry

  • Titi Kamal, a female Indonesian actress and model.

Pageantry

Politics

Sports

See also

References

  1. 1 2 "Palembang of Indonesia". peoplegroups.org. Retrieved 15 January 2021.
  2. "Yuk Kenali Suku-Suku di Sumatera Selatan (Part-1)" [Let's Get To Know About Ethnic Groups in South Sumatra]. okezone.com (in Indonesian).
  3. "Mari Mengenal 12 Suku yang Mendiami Bumi Sriwijaya" [Let's Get To Know About 12 Ethnic Groups Native To Srivijaya Land (South Sumatra)]. akurat.co (in Indonesian). Akurat Sentra Media.
  4. "The Palembangese (Indonesia)". Bethany World Prayer Center.
  5. Sakai, Minako (2017). Kacang Tidak Lupa Kulitnya (in Indonesian). Yayasan Pustaka Obor Indonesia. Indonesian: Wong Palembang Asli atau orang Palembang asli adalah suku yang berasal dari Palembang [The indigenous Wong Palembang or the Palembang people are the indigenous or ethnic group native to Palembang]
  6. "Beberapa Ciri Khas Ini Hanya Dimiliki oleh Wong Asli Palembang" [These Characteristics Only Belongs To Indigenous Wong Palembang]. molzania.com (in Indonesian).
  7. Sosial Budaya Kota Palembang Dari Turun Temurun
  8. Indonesia's Population: Ethnicity and Religion in a Changing Political Landscape. Institute of Southeast Asian Studies. 2003. ISBN 9812302123.
  9. "Palembang people in Singapore". Joshua Project.
  10. "Rumah Bari" [Bari house]. Cultural Heritage, Ministry of Education and Culture of Indonesia (in Indonesian). Retrieved 5 February 2022.
  11. "Rumah Gudang" [Gudang house]. Cultural Heritage, Ministry of Education and Culture of Indonesia (in Indonesian). Retrieved 5 February 2022.
  12. Taal 2008, p. 363.
  13. "Rumah Limas" [Limas house]. Cultural Heritage, Ministry of Education and Culture of Indonesia (in Indonesian). Retrieved 5 February 2022.
  14. "Rumah Rakit" [Rakit house]. Cultural Heritage, Ministry of Education and Culture of Indonesia (in Indonesian). Retrieved 5 February 2022.
  15. "Aesan". Cultural Heritage, Ministry of Education and Culture of Indonesia. Retrieved 5 February 2022.
  16. "Gending Sriwijaya". Cultural Heritage, Ministry of Education and Culture of Indonesia (in Indonesian). Retrieved 5 February 2022.
  17. Coedès, George (1968). Walter F. Vella (ed.). The Indianized States of Southeast Asia. trans.Susan Brown Cowing. University of Hawaii Press. ISBN 978-0-8248-0368-1.
  18. Tadmor, Uri (16–17 June 2001). Language Contact and Historical Reconstruction: The Case of Palembang. 5th International Symposium on Indonesian Linguistics. Leipzig.

Bibliography

  • Taal, Sandra (2008). Schefold, Reimar; Nas, Peter J.M.; Domenig, Gaudenz; Wessing, Robert (eds.). The Limas house of Palembang. Indonesian Houses: Survey of vernacular architecture in western Indonesia. Vol. 2. Leiden: KITLV Press. ISBN 9789004253988.
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